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Reviews
Nochebuena: A Christmas Spectacular – a Festive Holiday Celebration
by Rachel Turner | Dec 30, 2025
As an L.A. transplant from the Midwest, I sometimes have trouble getting fully into the Christmas...
This week in Dance
Revving the Engine
by Ann Haskins | Dec 30, 2025
This week live dance tilts toward West LA where a festival adds a second theater; Thousand Oaks hosts a fairytale ballet; plus a peek at next week as more dance returns to LA stages.
Revving the Engine
Dec 30, 2025
Empire Envy
Dec 22, 2025
Can’t Stop the Rhythm
Dec 15, 2025
Sidling Into the Season
Dec 9, 2025
Orthographic Disruptions
Dec 2, 2025
Review: 2025 REDCAT NOW Festival Week Two
Nov 26, 2025
Black Friday Alternatives
Nov 25, 2025
Review: Ballet BC’s collaborative tour de force
Nov 22, 2025
Release the Nutcrackers!
Nov 20, 2025
Donna Sternberg’s “Thriving” – Gift of the Ages
Nov 18, 2025
Emotional Negotiations
Nov 17, 2025
Getting a Grip
Nov 11, 2025
The Dance Hall of Fame – A New Annual Tradition
Nov 10, 2025
Celebrating LA Legacy Dancers
Nov 5, 2025
Ensorcellment
Nov 3, 2025
“We Cool”…A Journey
Oct 31, 2025
CO- Show 11 brings us back together
Oct 30, 2025
Review: “Gems” L.A. Dance Project at The Wallis
Oct 29, 2025
Anything Happening Here (Besides the Dodgers)?
Oct 28, 2025
Emily Sayre Smith: Forging Her Own Path
Oct 23, 2025
Laurie Sefton’s Exciting New Work Premieres at LADP
Oct 22, 2025
Choke Points
Oct 21, 2025
Review: Will Rawls’ “Unmade” at the Hammer Museum
Oct 16, 2025
Visceral Imagery
Oct 15, 2025
Room To Move: ASD, A Journey of Motion and Emotion
Oct 13, 2025
Tensegrity
Oct 7, 2025
The 2025-2026 Dance Season is upon us.
Oct 2, 2025
Full Swing Season
Sep 30, 2025
Rosanna Gamson on Her Duet Headed to Taiwan
Sep 29, 2025
Gavin Larsen, A Dancer’s Dancer
Sep 29, 2025
Circling the Globe
Sep 22, 2025
Review: “Fiddler On the Roof” at The Soraya
Sep 18, 2025
Terpsichorean Trifecta
Sep 16, 2025
Review: DEAR BODY, LOVE ME at Stomping Ground L.A.
Sep 16, 2025
Nannette Brodie and Friends at the Martha B. Knoebel
Sep 13, 2025
Tolerable Heat
Sep 8, 2025
Renée Donovan’s ‘Dear Body, Love Me’
Sep 3, 2025
Tolerable/Intolerable Summer Heat
Sep 2, 2025
‘Shucked’: How corny can Cobb County get?
Sep 2, 2025
Eclectic End to Summer
Aug 25, 2025
MOSAIC Highlights Concurrence and Collaboration
Aug 25, 2025
d. Sabela grimes: “Parable of Portals”
Aug 25, 2025
WonderLAnd! has playful vibe and serious message
Aug 21, 2025
& Juliet: A Joyful Noise of “What Ifs”
Aug 20, 2025
Who and What is Luna Dance & Creativity
Aug 19, 2025
Of Sirens and Celebrations
Aug 18, 2025
Langorous Locomotions
Aug 11, 2025
8th Annual LA Dance Film Festival: A Review
Aug 7, 2025
Theatrical Moves
Aug 4, 2025
When What Sparkles Is What It Seems
Jul 29, 2025
Broken Hearts on Pointe
Jul 22, 2025
The Neil Diamond Musical: A Truly Beautiful Noise!
Jul 19, 2025
TheSpace_LA Presents Performance Lab: A Review
Jul 18, 2025
Re:born Arts – Empowerment Through the Arts
Jul 18, 2025
Summer Dog Days Dancing
Jul 14, 2025
Shallow waters in the ‘Currents of the Mind’
Jul 12, 2025
Reaching For It
Jul 8, 2025
A Provocative Dance Triptych by Volta Collective
Jul 7, 2025
Brockus’ MATCH Residency Was Hugely Successful
Jul 3, 2025
Boston Ballet Triumphs – with some caveats
Jul 2, 2025
Festive Finales
Jul 1, 2025
Ratmansky’s “Swan Lake” Stuns at The Segerstrom
Jun 25, 2025
Dance at the Odyssey 2025 Summer Edition Has Begun
Jun 25, 2025
The Other Side of the Solstice
Jun 23, 2025
“A/VOID,” a cathartic experience
Jun 19, 2025
Versa-Style 20th Anniversary Streetdance Showcase
Jun 18, 2025
“Super Nothing” Becomes Super Something
Jun 18, 2025
When Feathers Collide
Jun 17, 2025
Collaborating with Janie Taylor
Jun 13, 2025
A Tilt-a-Whirl World
Jun 9, 2025
Go With the Flow
Jun 2, 2025
Little Women Ballet Spring Immersive Experience
May 29, 2025
Principled Temperaments
May 26, 2025
Review: Mashup “Choreography Open Mic Night”
May 21, 2025
“Pepperland,” An Evening of Sunshine!
May 21, 2025
Street to Stage
May 20, 2025
A Review: BODYTRAFFIC at The Irvine Barclay Theatre
May 19, 2025
Nancy Evans Dance Theatre presents BOUND at ARC
May 15, 2025
Littoral Drift
May 13, 2025
“Life of Pi” Is Compelling and Wildly Entertaining
May 12, 2025
Secular Sensibilities
May 7, 2025
“N. Ormes” Is Bare Bones and Brilliant
May 7, 2025
LA Dance Festival 2025 Opens With Four Premieres
May 1, 2025
‘A System in Collapse Is a System Moving Forward’
Apr 30, 2025
PNB Welcomes Maillot’s Stunning “Roméo et Juliette”
Apr 29, 2025
Tactile Tendencies
Apr 28, 2025
Axonometric Viewpoints
Apr 22, 2025
![In search of genre in Will Rawls’ ‘[siccer]’](https://www.ladancechronicle.com/wp-content/uploads/2025/04/siccer-694-c1-440x264.jpg)
In search of genre in Will Rawls’ ‘[siccer]’
Apr 19, 2025
Blue13 Dance Company at the Sierra Madre Playhouse
Apr 17, 2025
Review: Double Bind at Highways Performance Space
Apr 17, 2025
Opening the Aperture
Apr 14, 2025
Contemporary Considerations
Apr 8, 2025
Forever Ailey
Apr 7, 2025
PNB Artists Emerge
Apr 3, 2025
Review: Adanza’s “Show Me Your Dreams”
Apr 2, 2025
Plaiting Desire, Daring, and Dread
Apr 1, 2025
Rebuilding a home with Acts of Matter
Mar 29, 2025
Vernal Veritudes
Mar 24, 2025
Is Everything Old New Again?
Mar 19, 2025
A Bit of This, a Dab of That
Mar 19, 2025
Ballet Influencer and Educator Cynthia Dragoni
Mar 17, 2025
Week 2 of “New Shoes 2025” at Highways
Mar 14, 2025
Rubberband Dances Second Chances
Mar 13, 2025
Rhyolitic Rhythms
Mar 12, 2025
The Great Gatsby, A Beautiful Ballet Production
Mar 12, 2025
Review of “I Danced On Broadway” by Lee Wilson
Mar 12, 2025
American Contemporary Ballet’s “Jazz” falls short
Mar 11, 2025
Welcomed Border Crossings
Mar 4, 2025
Bringing Rubberband Back to LA
Feb 27, 2025
Inherent Intentionalities
Feb 24, 2025
The dance within Geffen Playhouse’s “Noises Off”
Feb 22, 2025
“Annie” – A Heartwarming Nostalgic Journey
Feb 22, 2025
“Sondheim’s Old Friends,” A Great Big Broadway Show
Feb 20, 2025
Dancers’ Choice
Feb 18, 2025
“Fake It Until You Make It” at the Mark Taper Forum
Feb 18, 2025
Spenser Theberge’s “Intimates” at The Odyssey
Feb 14, 2025
Becoming Twyla Tharp
Feb 13, 2025
WIP LA 014 Artists Explore Intimacy
Feb 12, 2025
How Are We Feeling?
Feb 11, 2025
Trends and Innovations of Dance Camera West 2025
Feb 6, 2025
Boroka Nagy’s “Home” at Dance at the Odyssey
Feb 6, 2025
The Ever Changing Now
Feb 4, 2025
An Interview with LINES Ballet member Adji Cissoko
Jan 29, 2025
When Reality Demands Resilience
Jan 28, 2025
Uncorked by HD Theatre: at Stomping Ground L.A.
Jan 28, 2025
STOMP Delights and Enlightens
Jan 24, 2025
Reconfigured Connections
Jan 21, 2025
Disaster Relief Info & Resources
Jan 19, 2025
Dancing on Burn Scar
Jan 14, 2025
Inadvertent Lies
Jan 7, 2025
Interview With Dancer and Author Janine Kovac
Jan 2, 2025
Taking a Pause
Dec 30, 2024
Dancing Out One Year and Into the Next
Dec 24, 2024
What we do. Why it matters. And how you can help.
Dec 24, 2024
LADP’s search for ‘The Missing Mountain’
Dec 23, 2024
Wrapping Up the Season
Dec 16, 2024
Taking It with You
Dec 9, 2024
“The Nutcracker” ala Bob Baker’s Marionettes
Dec 6, 2024
Complicated Topography
Dec 3, 2024
Review: Ballet BC at The Soraya
Dec 2, 2024
And…..the Nuts Have It!!
Nov 27, 2024
Tryptophan Antidotes
Nov 27, 2024
PNB’S “All Balanchine” A Treasured Redo
Nov 23, 2024
Essential Force Multipliers
Nov 20, 2024
Engaging with the heavy: REDCAT NOW Week 2
Nov 20, 2024
Bracing for Your Second Wind (It Will Come)
Nov 12, 2024
Review: Week One of REDCAT’s NOW Festival 2024
Nov 9, 2024
What Becomes a Legend Most?
Nov 5, 2024
When What’s New Is New Again
Oct 30, 2024
Review: Dance Theatre of Harlem at The Musco Center
Oct 29, 2024
‘Matter Of Time’ at the Gamble House in Pasadena
Oct 28, 2024
Working Hiatus
Oct 23, 2024
The Raw and Poignant – “A Girl Grows Wings”
Oct 18, 2024
Review: L.A. Dance Project’s “Romeo and Juliet”
Oct 16, 2024
Gamble Gamboling
Oct 15, 2024
Jenn Freeman’s “Is It Thursday Yet?” at BroadStage
Oct 12, 2024
WIP Builds Creative Space for Dance Visionaries
Oct 12, 2024
“Blood/Love” at The Crimson in Hollywood
Oct 11, 2024
Italicized Moment
Oct 8, 2024
Complicated Topography
Oct 2, 2024
Messiaen Duet Dances into a Pas de Quatre
Sep 27, 2024
Reconnecting a Disconnected
Sep 24, 2024
Dorrance & Friends: A Miracle at The Ford
Sep 23, 2024
Review: “Women In Concrete” at Vista Hall
Sep 19, 2024
Review: “Duel Reality” at the Ahmanson Theatre
Sep 18, 2024
Vibrant LA Art Dances
Sep 17, 2024
Little Women Ballet Returns to Heritage Square
Sep 12, 2024
The Acquired Taste of Reality
Sep 10, 2024
Review: Psychopomp’s CHAOS Vol. II at Highways
Sep 7, 2024
Dancing With Greeks and Others
Sep 6, 2024
Summer Send Off
Sep 2, 2024
Tap Talk with Michelle Dorrance, Changemaker
Sep 2, 2024
Dances With She Wolves
Aug 27, 2024
When Forever Is Now
Aug 21, 2024
Review: The Motherboard Suite at the Ford Theatre
Aug 16, 2024
Review: Hollywood Bowl – Symphonic Tango & Flamenco
Aug 16, 2024
Dancing on Glass
Aug 13, 2024
It’s a Peter Pan musical for a new generation
Aug 9, 2024
Mixing It Up
Aug 6, 2024
“COMPANY,” Revived With a Twist
Aug 6, 2024
Los Angeles Jazz Company’s “The Time Is Now”
Aug 3, 2024
Peter Pan Attempting to Fly…Hits Diversion
Aug 1, 2024
Everything’s Coming Up Flamenco
Jul 31, 2024
Queer the Ballet’s “Dream of a Common Language”
Jul 29, 2024
Showing Initiative
Jul 23, 2024
Ballet Hispánico’s Fiery Tribute to Doña Perón
Jul 22, 2024
Choreographer’s Guild Update
Jul 18, 2024
Beneficent Movers
Jul 17, 2024
“NOStalgia POP” – A Transformational Journey
Jul 12, 2024
Dances With Mirrors
Jul 11, 2024
Festival Finales
Jul 10, 2024
Two Separate Works at Dance at the Odyssey: A Review
Jul 10, 2024
“Dear Life” : A Message to the Future
Jul 8, 2024
Collaborative Otherness
Jul 3, 2024
Clear-Eyed Nostalgia
Jun 26, 2024
Shimmery Summer Start Ups
Jun 19, 2024
Centered on the Fringe
Jun 10, 2024
Kybele: A Happening at Highways
Jun 8, 2024
In the Garden, the Park, and the Old Zoo!!
Jun 5, 2024
Jazz Dance Conference – Re-Planting Seeds
Jun 3, 2024
Dance “En Plein Air”
May 29, 2024
GUM is calling from the void
May 23, 2024
The Potential in a Fiery Feather
May 22, 2024
CRAWLSPACE Presents Spare Change : A Review
May 22, 2024
The Wild Things are brimming with chaotic promise
May 17, 2024
Los Angeles Ballet at the Pasadena Civic Auditorium
May 16, 2024
Bodies in Play at the Brand Library: A Review
May 16, 2024
Dancing Downtown History
May 15, 2024
Dancing Through Parkinson’s Wellness Weekend
May 9, 2024
A Tranche of Dance
May 8, 2024
“Beneath The Weight of Feathers” : A Review
May 7, 2024
BrockusRed in “Balance” at their studio showcase
May 4, 2024
Drumatix Rocks the Brand Library & Art Center
May 3, 2024
Now For Spring
May 1, 2024
Invertigo Dance Theater presents “Interior Design”
Apr 24, 2024
Festivals that Bloom in the Spring
Apr 23, 2024
The Tap Dancing Friend of “Funny Girl”
Apr 19, 2024
Legacy Tour
Apr 17, 2024
“Woolf Works” Renders an Epic Life
Apr 17, 2024
Fiery Fabulous Flamenco!
Apr 16, 2024
The Money Did It: LA Opera’s “La Traviata”
Apr 11, 2024
Sabotaging the Strictures
Apr 10, 2024
“Funny Girl” Blasts off at the Ahmanson
Apr 9, 2024
Review: PNB Program Titled “One Thousand Pieces”
Apr 4, 2024
Poignant and Powerful! MJ The Musical
Apr 4, 2024
Varying the Invariables
Apr 2, 2024
Review: Megill & Company at ARC Pasadena
Mar 30, 2024
Next Step for L.A. Ballet
Mar 29, 2024
Mixing It Up
Mar 26, 2024
Dance and Musical Theater Coming to The Music Center
Mar 20, 2024
Contemporary Considerations
Mar 17, 2024
Maillot’s Coppél-i.A.: An Exquisite Fantasy
Mar 13, 2024
Keeping Body and Soul Together
Mar 11, 2024
“The Stories We Tell” by Jazz Antiqua : A Review
Mar 9, 2024
BODYTRAFFIC/In Pursuit Of Love
Mar 7, 2024
International Influences
Mar 6, 2024
Meet the Choreographers Guild
Mar 6, 2024
American Contemporary Ballet presents ‘ACB Jazz’
Mar 6, 2024
Delusional Limerence
Feb 28, 2024
BrockusRED Presents Blue(s)
Feb 27, 2024
Whimsy Returns to Musco Center in “Alice” by Momix
Feb 26, 2024
Making sense of Quantitative Data as a dance artist
Feb 21, 2024
Thoughtful Provocations
Feb 20, 2024
Backhausdance at L.A. Dance Project Studio: A Review
Feb 20, 2024
Joaquin De Luz’ Danza de España Welcomed To L.A.
Feb 20, 2024
Zealous New Zealand Debut
Feb 14, 2024
African Rite of Spring, A Stunning Revelation
Feb 14, 2024
It’s Not Just Personal With Laurie Sefton Creates
Feb 13, 2024
Review: AU.THENTICITY DANCE CO. at the Odyssey
Feb 13, 2024
Goblin Party’s “Nomad” reimagines communal life
Feb 9, 2024
Tap Plus Unbridled Joy Equals Joseph C. Wiggan
Feb 7, 2024
Moving to the Four
Feb 6, 2024
Running to the Rite
Jan 31, 2024
Review: Diavolo’s “Existencia” at The Soraya
Jan 24, 2024
Shakespeare’s Star-Crossed Incarcerated
Jan 23, 2024
Review: Dance at the Odyssey Presents “Archetype”
Jan 23, 2024
Picking Up the Pace
Jan 17, 2024
Interview with Camille A. Brown and Debbie Allen
Jan 16, 2024
MJ The Musical – A Gift In Time
Jan 16, 2024
Seismic Sensations
Jan 15, 2024
Ever Heard of Dance Wrecking?
Jan 15, 2024
Seismic Steps
Jan 10, 2024
Tap Man/Piano Man
Jan 3, 2024
Review: Hollywood Ballet’s “Hollywood Holidays”
Jan 2, 2024
Dancing into 2024
Dec 28, 2023
Peak Season
Dec 20, 2023
A Swirl of the Season
Dec 13, 2023
Jaffe’s New View for ABT’s Future
Dec 7, 2023
Flight Delayed
Dec 6, 2023
Mais Oui!
Nov 29, 2023
Review: Pacific Northwest Ballet’s Triple Bill
Nov 24, 2023
The Hall Will Judder
Nov 23, 2023
The Nuts Are Back!
Nov 21, 2023
Seasonings
Nov 15, 2023
LA Dance Film Festival Celebrates Dance Film Talent
Nov 11, 2023
Dimitri Chamblas’ “takemehome” at REDCAT
Nov 10, 2023
Yes, Tiler Peck and Company, You Turned It Out!
Nov 10, 2023
A Match Made in Pasadena
Nov 8, 2023
Multiplicities
Nov 1, 2023
Spenser Theberge is trying to remember
Nov 1, 2023
Tiler Peck’s “Turn It Out” Transcends
Oct 31, 2023
Review: Dialogues + Sensations at ARC
Oct 31, 2023
With Friends Like That
Oct 26, 2023
Memetic Evolution
Oct 25, 2023
VOICES Showcased Vital and Exciting Talent
Oct 21, 2023
Karlin’s Formula for Turing’s “Fairy Tale”
Oct 19, 2023
Over the Moon
Oct 18, 2023
Keith Johnson Takes On the ’60s with “Drifter”
Oct 17, 2023
WE ARE. Demonstrates How Dance Can Unite
Oct 17, 2023
Fractioned Fairy Tales
Oct 11, 2023
PNB Nails Petite Mort
Oct 10, 2023
Bodies in Beverly Hills
Oct 4, 2023
Making Mozart Move
Oct 1, 2023
Peony Picnic is a multi-lingual safe haven
Sep 28, 2023
Yes, It’s a Big Deal Saturday
Sep 27, 2023
Walk the Walk carves pathways and understanding
Sep 27, 2023
Stepping Into a New Season
Sep 20, 2023
Gender View at Plummer Park’s Fiesta Hall: A Review
Sep 19, 2023
Meg Howrey; Writing Her Way Back To Dance
Sep 14, 2023
SpectorDance Announces 2023 Choreographer’s Showcase
Sep 14, 2023
En-Gendering
Sep 13, 2023
About LA Dance Chronicle and the 9.05 Project
Sep 7, 2023
Mimetic Evolution
Sep 5, 2023
Meredith Monk: Icon in an Iconic Setting
Sep 2, 2023
Summer’s Slow Slide
Aug 30, 2023
Review: Week Two of NOW Festival 2023 at REDCAT
Aug 29, 2023
Situational Inspiration
Aug 22, 2023
KOLO Dance Show: Not So Strictly Ballroom
Aug 21, 2023
More New Now
Aug 16, 2023
Honing the Cutting Edge
Aug 9, 2023
“Les Misèrables” Triumphant Return!
Aug 8, 2023
FUSE Dance Company at the Brea Curtis Theatre
Aug 5, 2023
Heat From Spain
Aug 2, 2023
FRAGGMONTS: Joey Navarrete-Medina Doing It His Way
Jul 31, 2023
Book Review: “Baller Ina” by Liz Casal
Jul 31, 2023
Nurturing the New
Jul 25, 2023
Don’t Have To Be One Thing
Jul 19, 2023
Alejandro Perez’s SIDE BY SIDE Spoke Volumes
Jul 18, 2023
Beetlejuice, Beetlejuice, …….!
Jul 18, 2023
Hollywood Tap Fest: A Tap Feast in The Making!
Jul 14, 2023
Gone Dutch
Jul 12, 2023
Queer voices show out at Stomping Ground
Jul 8, 2023
More Once Upon a Time
Jul 7, 2023
Going “Al Fresco”
Jul 5, 2023
Two Dance Companies Dazzled at the Nate Holden
Jun 29, 2023
LADP Summer Dances with Three Choreographic Masters
Jun 28, 2023
Unsinkable Resistance
Jun 27, 2023
Refugee to Refuge
Jun 24, 2023
AUDITIONS! Nancy Evans Dance Theatre – July 9, 2023
Jun 22, 2023
Going With the Flow
Jun 21, 2023
Oguri and Chavez coax dance out of time
Jun 21, 2023
PNB’S 50th Anniversary Season
Jun 21, 2023
Holocaust Skewed Towards Ethereal Memories
Jun 20, 2023
Elusive Endeavors
Jun 14, 2023
Pick a side: Volta’s SALT sways senses and loyalties
Jun 14, 2023
LINES’ “Deep River” Moves Without Restraint
Jun 13, 2023
Awe And Wonder Dances With Science
Jun 10, 2023
Going to the Pointe
Jun 7, 2023
2023-2024 Dance Season at The Soraya Theatre
Jun 7, 2023
Ballet BC Feeds All The Senses
Jun 6, 2023
Ballet BC: The Best Kind of Deja-Vu
Jun 1, 2023
MISFIT: A Dance Film by Micaela Taylor
Jun 1, 2023
Some Days It’s Just a Struggle
May 31, 2023
Danielle Agami is “Off, to a good start”
May 26, 2023
Long Beach Opera: A Feast In Every Way
May 25, 2023
There Will Be Jazz Hands
May 24, 2023
BORN IN A TRUNK – An Interview with Lyrica Woodruff
May 24, 2023
MOMIX: Alice’s “Trip” down the Rabbit Hole
May 22, 2023
Blue13 Dance Company: A Review
May 20, 2023
AAPI voices and talent abound at Stomping Ground LA
May 19, 2023
Going Deep – An Interview With Alonzo King
May 18, 2023
Rabbits and Cats and Caterpillars, Oh My!!
May 17, 2023
Review: Ballet BC – Precise dance and sound
May 15, 2023
Collaborated Confusion
May 10, 2023
Watch Three East Coast Performances Online
May 10, 2023
Love Through a New Lens
May 9, 2023
AAC
May 7, 2023
The Paul Taylor Company – The Fork In the Road
May 6, 2023
Beverly Hills Goes Bollywood
May 5, 2023
By Invitation Only
May 3, 2023
Jacob Jonas The Company: Warriors pushing limits
Apr 29, 2023
When They Dance in the Killing Fields
Apr 26, 2023
Canoodling Couples in Waltz Time
Apr 26, 2023
What She Is Up To
Apr 26, 2023
BELLA – A Stunning Film of L.A. Dance Pioneer
Apr 21, 2023
Demystification
Apr 19, 2023
1776 Declares Independence!
Apr 18, 2023
Turning a Page: Choreographer to Co-Director
Apr 15, 2023
“Let the Crows Come” – A Mixed Bag
Apr 15, 2023
A-Muse-Ment
Apr 12, 2023
PNB: BOUNDLESS sees its Freedoms and Pitfalls
Apr 7, 2023
As the Crows Fly
Apr 5, 2023
Daddy issues debunked: Andrew Pearson’s “Abbale”
Apr 5, 2023
Wheeldon’s Magic: Like Water for Chocolate
Apr 1, 2023
Seeing RED
Mar 29, 2023
Passion Postponed
Mar 22, 2023
It’s Not Just About the Chocolate
Mar 16, 2023
Bending Backwards
Mar 15, 2023
Now, Soon
Mar 9, 2023
Time Traveling With Sondheim
Mar 7, 2023
Can a Glass Ceiling Become a Mirror?
Mar 1, 2023
Her Moment in the Sun
Feb 25, 2023
Seasonal Movements
Feb 22, 2023
Brockus Gratefully…”Still Moving”
Feb 18, 2023
Beyond Fear of Flying
Feb 16, 2023
Looking for Love?
Feb 8, 2023
But What’s In Between
Feb 1, 2023
JA Collective untangles connections, new and old
Jan 31, 2023
BalletX’s Shine Emanates From Its Dancers
Jan 27, 2023
“You Live In My Spine” Brings Us Back to Basics
Jan 26, 2023
The Truth About Those Pre-Show Shenanigans
Jan 25, 2023
Weekend Two of Dance at the Odyssey – A Review
Jan 24, 2023
Telling a Story. Telling the Truth.
Jan 18, 2023
Icons Getting Their Due
Jan 11, 2023
Moving Through an In-Between Week
Jan 4, 2023
Waltzing Into the New Year
Dec 28, 2022
Eight California Born Artists Make ArtDesk 100 List
Dec 22, 2022
It’s Not Quite Over Yet
Dec 21, 2022
CHITA RIVERA – The Rhythm of Her Brilliant Life
Dec 15, 2022
Planned Eruptions in Elite Spaces
Dec 14, 2022
Seasonal Sightings
Dec 7, 2022
National Master Audition
Dec 5, 2022
Proprioception
Nov 30, 2022
Bill T. Jones: Wizard or Soothsayer
Nov 30, 2022
MENDING: A Bold Work of Art
Nov 29, 2022
“Reunited” Shares Their History and Gift of Dance
Nov 21, 2022
Nuts!!! And More Nuts!!!
Nov 18, 2022
Thoughtful Provocation
Nov 16, 2022
LACDC Delivers a Very Powerful Performance
Nov 10, 2022
Terpsichorean Confluence
Nov 9, 2022
BODYTRAFFIC Dazzles at The Segerstrom
Nov 9, 2022
Options for That Extra Hour
Nov 2, 2022
Unbeatable, BODYTRAFFIC is Back!
Oct 27, 2022
Seasons Greetings! (Boo!!)
Oct 26, 2022
Que Viva Mexico! Pacifico Dance Company: A Review
Oct 26, 2022
Job Openings In The Greater Los Angeles Area
Oct 20, 2022
Program A of D2D Film Festival Round 5: A Review
Oct 20, 2022
Bodies to Stop Traffic in Beverly Hills
Oct 19, 2022
“Malpaso Dance Company” at The Soraya: A Review
Oct 19, 2022
Cassils’s Human Measure at REDCAT: A Review
Oct 18, 2022
Two Dance Films by Khayla Jordan Golucke: A Review
Oct 14, 2022
Getting Backs Into Bacharach
Oct 12, 2022
Stowell Revives Carmina Burana…Nearly
Oct 11, 2022
Do You Dare!
Oct 10, 2022
Seeing It Through
Oct 5, 2022
Freaks With Lines at ARC Pasadena: A Review
Oct 5, 2022
Seasonal Start Ups
Sep 28, 2022
D2D In Public Film Festival: Round 5
Sep 28, 2022
Review: “OKLAHOMA!” at The Ahmanson
Sep 22, 2022
Four by Four
Sep 21, 2022
BIGUIDIRIBELA at LA Dance Project : A Review
Sep 21, 2022
“Being Future Being” at BroadStage: A Review
Sep 15, 2022
Back to Beginnings
Sep 14, 2022
Dissecting the Buzz
Sep 9, 2022
And So It Flows
Sep 7, 2022
NOW Festival Pushes Boundaries in Closing Week
Sep 5, 2022
Out and About
Sep 1, 2022
Week Two of REDCAT’s NOW Festival 2022 – A Review
Aug 27, 2022
Rituals of Comfort Go Back to Basics
Aug 24, 2022
“Fused” at The Alex: A Review
Aug 23, 2022
Toe Shoe Tango
Aug 17, 2022
Raiford Rogers’ “Seeds of Rain” : A Review
Aug 15, 2022
A Flurry of Festivals
Aug 10, 2022
What Is Happening at Los Angeles Ballet?
Aug 8, 2022
Soft Opening
Aug 3, 2022
Putting It Together
Jul 27, 2022
LA Phil’s Gift of Dance: The Paris Opera Ballet
Jul 26, 2022
Permission to Laugh in Acrobuffos’ AIR PLAY
Jul 26, 2022
Never Doubt the Potential of a Balloon
Jul 20, 2022
Film Capital Welcomes PNB’s Plot Points Home
Jul 20, 2022
Sleight’s “Full Circle” Honors Jazz Dance Legacy
Jul 19, 2022
The Dude and the Dancers
Jul 18, 2022
Ballet Project OC: Good But Fails To Meet Potential
Jul 15, 2022
Barak Ballet Presents An Imaginative Repertoire
Jul 14, 2022
Terpsichorean Confluence
Jul 13, 2022
Alone Together
Jul 6, 2022
Putting It On the Table
Jun 29, 2022
Review: Psychopomp at Stomping Ground L.A.
Jun 29, 2022
Going With the Flow
Jun 22, 2022
Dance at BroadStage for 2022-2023
Jun 21, 2022
Landing in the New Normal
Jun 15, 2022
Finding a New Equilibrium
Jun 8, 2022
Soaring Into Summer
Jun 1, 2022
Token Appreciation
May 25, 2022
Benita Bike’s DanceArt Company: A Hidden Gem
May 25, 2022
Taking the Table to the Temple
May 18, 2022
Gatsby Enlivens Greystone Mansion
May 12, 2022
Restoring a Viola Solo
May 11, 2022
BlakTinx Festival 2022 – Lifting Their Voices
May 11, 2022
Remembering Stanley Holden
May 9, 2022
Film Review: Mother Melancholia by Samantha Shay
May 9, 2022
DANCIN – Pre-Broadway arrival at the Old Globe
May 7, 2022
Simply MOMentous
May 4, 2022
Review: “Hadestown” at the Ahmanson
May 2, 2022
Russian About a Telenovela
Apr 27, 2022
Review: Los Angeles Ballet Blooms Exquisite
Apr 27, 2022
CALL FOR SUBMISSIONS – PNB Dance Film Festival
Apr 23, 2022
Enter the Bloom
Apr 20, 2022
Battle’s 10th Year Celebrates The Spirit
Apr 18, 2022
That Mutually Fatal Attraction
Apr 13, 2022
PNB “PLOT POINTS” Moves from Genius to Romp
Apr 7, 2022
Welcoming a Stochastic Season
Apr 6, 2022
Taylor Donofrio’s I N T E R I O R at CalArts
Apr 4, 2022
Spring Is Sprung
Mar 30, 2022
In Praise of Peduncle Elongation
Mar 23, 2022
The Eternal St. Matthew Passion Lives In L.A.
Mar 22, 2022
Megill & Company to Premiere “Odd Birds” March 26-27
Mar 18, 2022
Making Like Sisyphus
Mar 16, 2022
Lemme’s Evocative “Forward Looking Back” Captivates
Mar 15, 2022
Bending Over Backwards for Bach and Bernstein
Mar 12, 2022
Release the Art
Mar 11, 2022
When It’s All About the Passion
Mar 9, 2022
Dancing With a Deadly Partner
Mar 7, 2022
When Bad Intentions Backfired
Mar 2, 2022
Won’t You Change Partners and Dance With Me?
Feb 23, 2022
Ramya Harishankar Performs Symphony of Emotions
Feb 19, 2022
Before the Book Is Banned
Feb 16, 2022
Grab a Gun. Take a Shot.
Feb 10, 2022
“Singing Revolution” Awash in Song and Dance
Feb 10, 2022
Nowhere’s Where?
Feb 9, 2022
Bringing Some Rhythm, Some Blues
Feb 2, 2022
Meet Mackenzie Martin and Her Company Geometry
Feb 2, 2022
Yes Virginia, Real Men Do Wear Pointe Shoes
Jan 26, 2022
Vicissitudinous Moves
Jan 19, 2022
Backtracking Into the Future
Jan 12, 2022
Oscillating Accommodations
Jan 5, 2022
REDCAT Announces 2022 Spring Season
Jan 4, 2022
A Certain Invitation to an Uncertain Season
Dec 15, 2021
Watching for the Watchers
Dec 8, 2021
The Sanity in the Insanity
Dec 1, 2021
The “Nuts” Are Back!
Nov 29, 2021
SEASONAL SEASONINGS
Nov 23, 2021
Eilber’s Graham Revived in Technicolor
Nov 23, 2021
Cartwheeling Into the Go Go’s
Nov 17, 2021
Re-Great-ing Martha Graham
Nov 17, 2021
Ballet Hispánico Shines at the Irvine Barclay
Nov 17, 2021
Milka Djordjevich’s CORPS at REDCAT
Nov 15, 2021
Interwoven Woes
Nov 12, 2021
Jazz Spectrum Dance Company – A Gem Of Orange County
Nov 11, 2021
Stuck Inside the Story
Nov 10, 2021
Ate9’s “JOY” warms up The Wallis
Nov 8, 2021
Seeking a Shard of Joy
Nov 3, 2021
A Paroxysm of Bows
Oct 27, 2021
We Called Her Lew: Remembering Emma Lewis Thomas
Oct 22, 2021
Networks of Mutuality
Oct 20, 2021
After Everything Was So Rudely Interrupted
Oct 13, 2021
When Reopening Isn’t a Straight Line
Oct 6, 2021
Untethered to a Theater
Sep 29, 2021
Carpenter Center Announces 2021-2022 Season Lineup
Sep 23, 2021
Coming to Grips With Live
Sep 22, 2021
SpectorDance Call for Choreographers
Sep 17, 2021
Jacob Jonas and The Wallis Present ACTIVATE LA
Sep 17, 2021
Taking It All Outside
Sep 15, 2021
Awake and Eager to Start Kicking
Sep 15, 2021
Is a Solvent a Solution?
Sep 8, 2021
When Life Was Upended, They Went Another Way
Sep 3, 2021
A Last Grasp at Summer
Sep 1, 2021
Hybrid Hedging Against the Rollercoaster Surge
Aug 25, 2021
Segerstrom Center Announces 2021 Dance Lineup
Aug 23, 2021
The Music Center’s Spotlight Applications Now Open!
Aug 21, 2021
When the Music Moves
Aug 18, 2021
Heidi Duckler’s “The Chandelier” at the Wallis
Aug 16, 2021
Wasn’t that Box Pandora’s?
Aug 11, 2021
When the Light in the Tunnel is a Chandelier
Aug 4, 2021
How to Come Back with a Vengeance
Jul 28, 2021
Coming Back Live …With Lessons Covid Taught
Jul 21, 2021
Forever Flamenco moves outdoors at the Fountain
Jul 19, 2021
National Choreographers Go California
Jul 19, 2021
Navigating Through Illusion
Jul 14, 2021
The Uncertainty of Getting Out and About
Jul 7, 2021
Sweet Deceptions
Jun 30, 2021
Bootstrapping After the Bootleg
Jun 28, 2021
Red Bull BC One Makes its 18th Historic Return
Jun 24, 2021
A Live Audience. The Elixir Returns.
Jun 23, 2021
Dare to Dance in Public Film Festival – Round 4
Jun 21, 2021
Opening Up With Caution and Hope
Jun 16, 2021
UNTITLED LAMENT by Sharyn Bamber
Jun 11, 2021
The PARTCH Ensemble Returns Virtually to REDCAT
Jun 10, 2021
Moseying Into the New Now
Jun 9, 2021
An Interview with Ramya Harishankar
Jun 4, 2021
Waking From Hibernation
Jun 2, 2021
The Ford Announces Summer 2021 Season
Jun 2, 2021
Glimmers of Exhilaration
May 26, 2021
Queer Butoh 2021 – June 8, 15 and 22, 2021
May 22, 2021
Now Its About Getting Out
May 19, 2021
Versa-Style Dance Company’s Powerful Film EXTINCTION
May 19, 2021
Dance Parade New York Goes Global May 22, 2021
May 17, 2021
From Seen to Stream
May 12, 2021
Duckler’s REMNANTS Connects Body With Soul
May 7, 2021
Moseying Around the Decameron
May 5, 2021
Aligning Intentions
Apr 28, 2021
LA Dance Moves Presents PULSE Online May 1 – 2, 2021
Apr 26, 2021
Interview With Jay Carlon On His New Film BAGGAGE
Apr 23, 2021
Opening Doors With A Stream
Apr 21, 2021
REVEAL: A New Chapter for The Broad Stage
Apr 19, 2021
Coming Back to “Live”
Apr 14, 2021
Hama: A Life In Three Parts
Apr 12, 2021
Meet the Versatile Cheryl Baxter: Part One
Apr 9, 2021
Something to Splash About
Apr 7, 2021
Finding a Way Out
Mar 31, 2021
Swan Lake Petitions Putin
Mar 29, 2021
Working Out a New Normal
Mar 24, 2021
Can We Do This Yet?
Mar 17, 2021
LA Grooves Sends A Love Letter to LA
Mar 15, 2021
Is This How A Marathon Feels?
Mar 10, 2021
When Do We Find Out What Happens Next?
Mar 3, 2021
Bike’s Pastoral Músico Welcomes Live Dance
Mar 3, 2021
Dancing Toward Dawn In Curious Times
Feb 24, 2021
New Forms of Mentorship in the Dance World
Feb 24, 2021
Youth Ignites Bourne’s Romeo and Juliet
Feb 20, 2021
When Things Take On a Life of Their Own
Feb 17, 2021
Lowering the Dread Level
Feb 10, 2021
Are We There Yet?
Feb 3, 2021
New Beginnings, One Step at a Time
Jan 27, 2021
Starting the New Year NOW
Jan 20, 2021
Is This the Darkest Before the Dawn Part?
Jan 13, 2021
A New Day Dawning?
Jan 6, 2021
Now Streaming: Two Dance Films by Lineage
Dec 28, 2020
From Everyone at LA Dance Chronicle
Dec 25, 2020
Dancing Through the Dark Times
Dec 23, 2020
Meet the New Artistic Director of LACDC Jamila Glass
Dec 22, 2020
Putting Upside Down 2020 Behind
Dec 16, 2020
Whither the Nuts?
Dec 16, 2020
Matthew Bourne’s Brilliant “The Car Man”
Dec 16, 2020
Moving Forward While Hunkered Down
Dec 9, 2020
A House With Moves
Dec 3, 2020
Dancing Across LA
Dec 2, 2020
Gold Series No. 3 Goes Virtual
Nov 28, 2020
Does It Feel Like We Can Finally Exhale?
Nov 25, 2020
Laguna Dance Festival Announces 16th Winter Season
Nov 21, 2020
Sitting in the Downbeat, Waiting for the Upbeat
Nov 18, 2020
Can We Breathe Yet?
Nov 11, 2020
Hanging in the Balance
Nov 4, 2020
Angee’s Journey: A Heartfelt Documentary
Nov 2, 2020
Conjuring Ghosts in a Graveyard
Oct 28, 2020
Keeping Their Distance
Oct 21, 2020
SLOW DOWN TIME – Art in the time of Plague
Oct 20, 2020
Week Three of LA Dance Festival 2020 Best Thus Far
Oct 20, 2020
Spreading 50 Over Four Weeks
Oct 14, 2020
Saying Goodbye to the Margaret Jenkins Dance Lab
Oct 8, 2020
Quest or Fest?
Oct 7, 2020
17th Annual NOW Festival Goes Virtual at REDCAT
Oct 3, 2020
Moving Toward a Drive-By
Sep 30, 2020
A Belated Happy Birthday to Jasper Johns
Sep 30, 2020
The Music Center Celebrates Latinx Heritage Month
Sep 28, 2020
The Ford Announces the FREE Ford Digital Festivals
Sep 24, 2020
Start In a Laundromat. Take It Outside
Sep 23, 2020
REDCAT Announces Its Fall 2020 Season Lineup
Sep 21, 2020
Bring On The Chocolates
Sep 17, 2020
Taking It Online and Outdoors
Sep 16, 2020
Heidi Duckler Dance Celebrates Its 35th Anniversary
Sep 14, 2020
The Soraya Streams Step Afrika’s Brilliant STONO
Sep 11, 2020
How to Make a Comeback
Sep 9, 2020
For When You Can’t Reach Out and Touch Someone
Sep 8, 2020
Drive-In Dance, Take Two
Sep 2, 2020
What’s next for EDGE Performing Arts Center?
Aug 29, 2020
Expansiveness: Changing perspectives………
Aug 27, 2020
Striving in Different Directions
Aug 26, 2020
Looking for the Light–Is That a Glimmer?
Aug 19, 2020
Figuring Things Out
Aug 12, 2020
Who are the people behind Flex Dance Program
Aug 12, 2020
Fostering Up, Not Just Out
Aug 11, 2020
Getting a Paddle in the Stream
Aug 5, 2020
The Last Dance by Gillian Ebersole
Aug 4, 2020
Tidal-Shifting Streams
Jul 29, 2020
Valerie-Jean Miller Interview Part II by Tam Warner
Jul 27, 2020
BLINK – A Moving Dance Film by Genevieve Carson
Jul 24, 2020
1960 Demonstration Dance Redux
Jul 22, 2020
Where’s the Bailout for the Arts?
Jul 15, 2020
Streaming in Stride
Jul 8, 2020
LA Says Goodbye to Another Dance Space – For Now
Jul 2, 2020
Zooming Up the Stream
Jul 1, 2020
Another Reopening, Another Show
Jun 24, 2020
Editing choices weaken Heidi Duckler’s film UNDERWAY
Jun 18, 2020
Unpressing the Pause Button
Jun 17, 2020
Is this the year that wasn’t?
Jun 10, 2020
Rachel Redux
Jun 6, 2020
Moves No One Wanted to Learn
Jun 3, 2020
Starting to Start?
May 27, 2020
She had a great sense of humor, that Viola Farber!
May 23, 2020
Still Kicking
May 20, 2020
Ready for a Dance-Through?
May 13, 2020
An Irresistible Force in an Immovable Lockdown
May 6, 2020
Reaching Out (From a Social Distance)
Apr 29, 2020
“Here’s to the dancers!” by Kristy Edmunds
Apr 29, 2020
Social Distancing on Viral Venues
Apr 22, 2020
D2D Announces Six Foot Distance Dances
Apr 20, 2020
Keeping Up With What We’ll Miss
Apr 15, 2020
Introducing the Shut In Dance Film Fest
Apr 14, 2020
Shuttering With Signs of Life On-Line
Apr 8, 2020
Shuttered, But Not Forgotten
Apr 1, 2020
“Ode to Senior Dance Class” By Sandy Roveta
Mar 27, 2020
Moving In, Moving On
Mar 26, 2020
Gone For Now, But Not Forgotten
Mar 25, 2020
Stepping Up By Stepping Back
Mar 18, 2020
In the Crosshairs Once Again!
Mar 17, 2020
This Week In Dance updated 3/13/2020 due to COVID-19
Mar 11, 2020
All’s Fair in “Love and Rage”
Mar 10, 2020
Brilliant! Ballet BC’s “Romeo + Juliet”
Mar 6, 2020
Spectrum-Dance in LA @ the Madrid
Mar 6, 2020
Keeping LA Dance Healthy
Mar 5, 2020
Movement, But Not There Yet
Mar 4, 2020
Neary’s gift of BALANCHINE Black and White
Mar 4, 2020
And Still They Persevere
Feb 26, 2020
Ancient and In the Instant
Feb 26, 2020
Dancing Beyond the Gender Binary
Feb 26, 2020
Awe and Wonder’s hidden gems need polishing
Feb 20, 2020
Racial Strides in Ballet Steps
Feb 19, 2020
STOMP brings the classics at The Soraya
Feb 18, 2020
Pam Tanowitz’s Four Quartets: A Moving Meditation
Feb 17, 2020
The CRay Project is CRAZY HOT!
Feb 13, 2020
When Moved to Awe
Feb 12, 2020
Disconnected Reconnection
Feb 5, 2020
Marking a Local Legend
Jan 29, 2020
Inside Out – A Kaleidoscope of Intimate Stories
Jan 28, 2020
Much Done About Nothing
Jan 28, 2020
When the Man’s “in Motion”
Jan 22, 2020
Contra-Tiempo Melds and Moves Time
Jan 19, 2020
Is it “Just Us?”
Jan 15, 2020
Just Harping Around
Jan 8, 2020
Caught on Film
Jan 1, 2020
Tchaikovsky Goes Two Ways
Dec 25, 2019
Diversity Dances Downtown
Dec 18, 2019
Peeking behind the curtain
Dec 11, 2019
So Many Swans A’Flutter
Dec 4, 2019
Dancing through Black Friday
Nov 27, 2019
Wrangling Nutcrackers
Nov 27, 2019
DAGDAG Dance: Beautiful, Eclectic Rites of Passage
Nov 25, 2019
How a Spanish Red Partners With Southern Blues
Nov 20, 2019
What’s Worth Its Weight in Gold?
Nov 13, 2019
An Evening with Rita Moreno – One to Remember
Nov 12, 2019
CAS Public’s “Not Quite Midnight” Disappoints
Nov 11, 2019
What Happened to Jesus?
Oct 31, 2019
Halloween Gets a Dead Take Over
Oct 30, 2019
Jewels, A Balanchine Gift From the Mariinsky.
Oct 28, 2019
Local Jewels
Oct 23, 2019
All That Glitters
Oct 23, 2019
Nancy Evans Dance Theatre – Playing with Pure Dance
Oct 22, 2019
THE DAY, A Journey for the Senses
Oct 21, 2019
Maria Khoreva “Bright Star” of The Mariinsky Ballet
Oct 18, 2019
Russians Dodging An Identity Crisis
Oct 16, 2019
A Very Uneven Program B for LA Dance Project
Oct 11, 2019
Backstage at LA Dance Chronicle
Oct 10, 2019
Running to New Ground
Oct 9, 2019
Darshan Encountering the Divine
Oct 4, 2019
Dancing From WOKE to David Bowie
Oct 2, 2019
Viver Brasil: A Heavenly Journey
Sep 28, 2019
Can SoCal Have Too Many Dance Festivals?
Sep 25, 2019
Beverly Hills’ Trafficking
Sep 18, 2019
How to Heal When Everyone is Wounded?
Sep 12, 2019
Forbidden/Poison Fruit
Sep 11, 2019
Maybin Still Struttin’ at 88: Lost and Found Footing
Sep 11, 2019
Dancing a Grim Fairy Tale
Sep 4, 2019
HAIR (the dance, not the musical)
Aug 28, 2019
Grass Dancing
Aug 21, 2019
Walkin’ the Walk
Aug 17, 2019
And Still She Persists!
Aug 14, 2019
An Enchanting Evening of Music & Dance Americana
Aug 9, 2019
Open Hearts Take On Fearful Minds
Aug 7, 2019
REDCAT NOW week one projects thoughtful voices
Aug 6, 2019
NOW Festival 2019 at REDCAT – Week Two: A Review
Aug 3, 2019
Train Traffic in the Garden
Jul 31, 2019
When a Finale Can Be a Beginning
Jul 24, 2019
Solving a Hollywood Bowl Challenge. Add Dancers!
Jul 22, 2019
Cahunga Pass Gets “Funkedified”
Jul 18, 2019
Dancing Shakespeare “al fresco”
Jul 14, 2019
Romeo & Juliet Roam the Bowl
Jul 10, 2019
Deborah Brockus’ new work DUST: a review
Jul 10, 2019
Rennie Harris Funkifies the Ford Theatres stage
Jul 8, 2019
Brava Barak Ballet!
Jul 5, 2019
Prince Not-So-Charming
Jul 3, 2019
Royals Behaving Badly
Jul 1, 2019
Cutting New Teeth
Jun 26, 2019
SHIFT/West Produces Strong Results
Jun 25, 2019
When a Dancer Designs to Dance
Jun 19, 2019
ACB Builds Ballet in L.A. with a Radical Twist
Jun 19, 2019
A Promising Debut for Foothills Dancemakers
Jun 18, 2019
How a Dancer Took Fashion Topless-Turvy
Jun 17, 2019
A Pinch of Salt and Sgt. Pepper
Jun 12, 2019
Dance With Intriguing Admissions Options
Jun 5, 2019
Dance as an Emotional ‘Toolbox’
Jun 5, 2019
Eifman’s Pygmalion Affects Change
May 31, 2019
What Else Can a Metro Ticket Buy?
May 29, 2019
Tai Chi Meets Hip Hop While Filipino Dance Vogues
May 22, 2019
TED-Talking Street Dancers On What Ails Us
May 15, 2019
Up Close with Ate9 at The Ruby Street
May 11, 2019
Dancin’ from the Beach to Beverly Hills
May 8, 2019
When a MacArthur Genius Taps Into Computers
May 1, 2019
John Kelly at REDCAT: Performance Art at its best!
Apr 27, 2019
On the Hunt for Affordable Studio/Rehearsal Space
Apr 25, 2019
Moving to the Fringes
Apr 24, 2019
Ballet Preljocaj: La Fresque, Art, or Réalité
Apr 24, 2019
Review: Falsettos Hits High
Apr 18, 2019
7th Annual Los Angeles Dance Festival – Night 2
Apr 18, 2019
Those Who Teach and Can Do
Apr 18, 2019
It’s Coachella for L.A. Dance
Apr 10, 2019
Meowch! The New National tour of Cats
Apr 10, 2019
New, Revelations
Apr 4, 2019
Dancing With Lots of Revelations
Apr 3, 2019
A Festival’s Final Finale
Mar 27, 2019
Matilda The Musical – Fast, Fun and…Funny!
Mar 27, 2019
OFF/Balance – Barak Ballet Experiments
Mar 21, 2019
An Abbess Unmuzzled
Mar 21, 2019
Ballet Dances Off the Stage
Mar 13, 2019
The Getty Goes Dance
Mar 6, 2019
Dancing the Scenic Route from Thebes to Colonus
Mar 6, 2019
Cunningham Centennial memories continue!
Mar 1, 2019
A Serenade and a Sylph From Two “Mr. B’s”
Feb 28, 2019
Choreographers Deserve Specific Oscar Recognition!
Feb 24, 2019
A Fish Sculpture Meets Five Choreographers
Feb 20, 2019
RAGTIME: The Musical – Exposes the American Dream
Feb 19, 2019
Ate9 Premieres “a blind LAdy” at The Wallis
Feb 18, 2019
A Performative Procession In Venice
Feb 13, 2019
Cunningham Centennial memories continue!
Feb 11, 2019
CINDERELLA: A Story of Joy, Mayhem and Miracles
Feb 11, 2019
Teaching Nat King Cole to Tap Dance
Feb 11, 2019
MOUTHPIECE Speaks NecessaryTruths at CAP UCLA
Feb 8, 2019
JÉRÔME BEL: I’M OK, YOU’RE OK RAINS AT THE ACE
Feb 6, 2019
Cunningham Centennial memories continue!
Feb 4, 2019
Cinderella Goes Underground
Jan 30, 2019
Happy Birthday Mikhail Baryshnikov!
Jan 28, 2019
I remember Merce
Jan 24, 2019
How You can Submit Your Merce Memories
Jan 24, 2019
An Invitation to Share Your Memories of Merce
Jan 24, 2019
Larking About in the Underworld
Jan 23, 2019
A Delightful Journey with Juli Kim at Mimoda Studio
Jan 22, 2019
Comedia Brilliantly Dressed With a Bit of Baffoonery
Jan 21, 2019
Bending Back to Bach
Jan 16, 2019
Happy Birthday Gwen Verdon
Jan 14, 2019
The Great Tamer: A Feast of Wondrous Images
Jan 14, 2019
Hubbard Street Uneven With Moments of Brilliance
Jan 13, 2019
Dancing Untold Stories and Distorted Music
Jan 10, 2019
And Then They Left
Jan 7, 2019
Forever Flamenco, Forever in Style
Jan 3, 2019
Dancing the Light Industrial
Jan 2, 2019
Remembering the Legendary Michael Kidd
Dec 21, 2018
Trophy Dancer
Dec 21, 2018
Flamenco Festivities
Dec 15, 2018
Meet The Remarkable Marinda Davis: An Interview
Dec 12, 2018
TAVAREZ INSPIRES ON A LIFE UNRAVELING
Dec 12, 2018
Ten Quickies in Lincoln Heights
Dec 5, 2018
The Music, the Mirror and the Chance to Dance
Nov 28, 2018
May We Not Forget: A Review of “Valley of the Heart”
Nov 24, 2018
The Nuts Are Coming! The Nuts Are Coming!
Nov 21, 2018
The Musical “Waitress” Does Not Serve Up The Goods
Nov 15, 2018
Lights, Camera, Music, Chorus, Dancers…Action!
Nov 14, 2018
Analogy Trilogy: A Life Giving Exploration
Nov 8, 2018
Dance Back to Do Good
Nov 7, 2018
LINES Transcends
Nov 6, 2018
Train Of Love: A Journey of Nostalgia
Nov 5, 2018
Going for the Gold in Pasadena
Oct 31, 2018
Jacob Jonas: The Company – Good With a Caveat
Oct 30, 2018
Old, New, Ate9’s Still Got It!
Oct 27, 2018
Loading Up the Last of Summer Dance
Oct 24, 2018
Two Companies, One Stage: A Review
Oct 24, 2018
“See the Music, Hear the Dance” A Brilliant Gift!
Oct 22, 2018
“Dear Evan Hansen” Exceeds Expectations
Oct 20, 2018
LA Dance Chronicle One Year Later
Oct 18, 2018
Jacob Jonas Makes Beverly Hills “The Company” Town
Oct 17, 2018
Simplicity and Genius Holds Up Through Time
Oct 16, 2018
Choreographer, Dancer, Alan Johnson (1937-2018)
Oct 15, 2018
Dancers Duel With A Set That Won’t Hold Still
Oct 10, 2018
Beautiful: The Carole King Musical at the Segerstrom
Oct 10, 2018
Toe shoes? Yes. Tutus? Not so much.
Oct 3, 2018
World Ballet Day: Alexander Godunov, 1949 – 1995
Oct 2, 2018
Roussève’s Route Halfway to Dawn
Sep 26, 2018
Choreographers Deserve Specific Recognition
Sep 24, 2018
Exploring The Borderlands of Cultural Appropriation
Sep 19, 2018
Ricardo Montalbán (1920 – 2009): A Profile
Sep 17, 2018
To The Chapel For A “Cere-phony”
Sep 12, 2018
It’s Not About “Just Us”
Sep 6, 2018
FUSE’s Uneven Fifth SYNTHESIS
Aug 31, 2018
“Strange Fruit” Bearing Offspring
Aug 29, 2018
About Dad and the Full Moon–A Dance Doubleheader
Aug 23, 2018
White Choreographers Tackle Racism in Dance
Aug 16, 2018
A Modern Dance Icon Returned Home to California
Aug 9, 2018
Russians Return a Dance Legend to California
Aug 6, 2018
The Last Three Dancing…for NOW
Aug 2, 2018
Moves After Dark 2018 Animates Disney Hall!
Jul 27, 2018
Beauty and the Beast in Any Language
Jul 26, 2018
Lysistrata Unbound Gives Life and Transcendence
Jul 25, 2018
Highways Presents New Shoes 18: A Review
Jul 23, 2018
Dancing in the Dark
Jul 19, 2018
A 24 Shade Parade
Jul 12, 2018
24 Shades of….
Jul 11, 2018
War! Huh! What Is It Good For?
Jul 5, 2018
Highways Presents Mallory Fabian’s UNKNOW: A Review
Jun 25, 2018
Remembering What Military Veterans Cannot Forget
Jun 21, 2018
Nancy Evans Dance Theatre Blooms at the ARC
Jun 19, 2018
Home Is Where The Dance Is
Jun 14, 2018
Come and Take the “E” Train
May 31, 2018
Driving into BODYTRAFFIC
May 23, 2018
FUSE Dance Company Performs at Diavolo: A Review
May 21, 2018
LA Dance Community Takes Control of the Narrative
May 19, 2018
The Ukraines Are Coming! The Ukraines Are Coming!
May 17, 2018
Taking to the Trees for Mom
May 9, 2018
San Francisco Ballet Unbound
May 3, 2018
Celebrating the Defeat of French Mercenaries
May 3, 2018
Remembering Riots, Celebrating Friendship
Apr 26, 2018
Dance Theatre of Harlem at The Broad Stage: A Review
Apr 26, 2018
Sprinkling Some David Bowie “Stardust”
Apr 18, 2018
Dancing Like Ballet’s Comeback Kid
Apr 11, 2018
Where Kyle Abraham Envisions A “Dearest Home”
Apr 5, 2018
Highways Presents New Shoes 17: A Review
Apr 2, 2018
Something Old, Something New, Something Timeless
Mar 28, 2018
Trumped Up Gesture
Mar 22, 2018
Remembering Viola Farber (1931-1998)
Mar 20, 2018
Dancing an Homage to Home
Mar 14, 2018
Los Angeles Ballet’s “Swan Lake” Takes Flight
Feb 28, 2018
Review: Dancing In Dire Times, A Year Later
Feb 28, 2018
Review: Backhausedance Performs at the MUSCO Center
Feb 27, 2018
Dance That Rises and Persists
Feb 21, 2018
Dancing With a Volcano
Feb 13, 2018
Dancing at the Department Store
Feb 7, 2018
Miguel Gutierrez Performs K-D-A-VER: A Review
Feb 6, 2018
Dancin’ on Lenny’s “Waterfront”
Feb 1, 2018
A Convergence of African-American Dance
Jan 25, 2018
Trocks Tackle Terpsichore in Toe Shoes
Jan 18, 2018
Pacific Standard Time Erupts Live All Over L.A.
Jan 10, 2018
What Motivates Jacob Jonas: An Interview
Jan 6, 2018
Ezralow Goes “Open”
Jan 3, 2018
Dancing into 2018
Dec 13, 2017
Dancers Duking It Out
Dec 6, 2017
LA Warmly Welcomes the Malpaso Dance Company
Dec 4, 2017
Cubans Confront Changing Winds
Nov 29, 2017
The Nuts Are Coming! The Nuts Are Coming!
Nov 26, 2017
Sci-fi Dance Goes Stereoscopic 3-D
Nov 22, 2017
Dancers Channel Cacti and Slithering Lizards
Nov 15, 2017
Diavolo in Perpetual Motion
Nov 8, 2017
Deadly East L.A. Festivities Go Hollywood
Nov 1, 2017
“High Fantasy”: Echoes of Cannabis
Oct 28, 2017
What becomes a legend most?
Oct 25, 2017
Invertigo Dance Theatre Celebrates 10 Years!
Oct 24, 2017
Boundary Bumping Ballet
Oct 18, 2017
The Paris Opera (L’Opera): A Film Preview
Oct 16, 2017
Dorrance Dance: Subtle, Sassy and Serious
Oct 13, 2017
Boroka Nagy Presents ONE at SAVANT NOBO
Oct 9, 2017
LAX Dance Takes Flight
Oct 4, 2017
Review: Sur Les Traces De Dinozord at REDCAT
Oct 2, 2017
Re”tour”ning Home With Great Reviews
Sep 27, 2017
A Flourish of Brazilian Dance
Sep 21, 2017
Matthew Bourne’s Take on The Red Shoes
Sep 14, 2017
A Dance Festival With a Racial Perspective
Sep 6, 2017
LA Dance: Breaking the Mold
Aug 31, 2017
Dancing All By Themselves
Aug 30, 2017
Dancing Into the Sunset
Aug 24, 2017
Music Center Dances To Cahuenga Pass
Aug 16, 2017
Dancing on Hiatus
Aug 9, 2017
Andrew Pearson Dances Alone…With a Friend
Aug 2, 2017
Introduction to Making Dance Work In LA
Oct 24, 2015
