Reviews
“LlamadoKodo” and “Default:Joy” – A Shared Program on Dance at the Odyssey
by Brian Fretté | Feb 17, 2026 | Reviews
First of all I wish to say Kudos to the Odyssey’s Dance Festival curator, Barbara Müller-Wittmann....
Reviews
“Jazz Club” – Works by BrockusRED and Jazz Spectrum
by Brian Fretté | Feb 14, 2026 | Reviews
This was a collaborative evening full of entertainment and varied styles of movement although all...
Reviews
Capitalism is a pacer test in ‘Free All Night Long’
by Steven Vargas | Feb 13, 2026 | Reviews
“The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more...
Articles
A Conversation with Kyreeana Breelin Alexander Whose “We Cool” Appears at The Nimoy
by Leah Bass-Baylis | Feb 10, 2026 | Articles
We Cool, the multidisciplinary autobiographical coming-of-age story created by and starring...
Articles
A Visa-Vise: The Suspense of Les Ballets Africains’ 12-City U.S. Tour
by Ann Haskins | Feb 9, 2026 | Articles
In a dubious start to Black History Month, the highly anticipated 12-city, ten state tour by Les...
Articles
Boogie Frantick: Local Legend is a Master of Popping
by Jessica Koslow | Feb 3, 2026 | Articles
If you did not read my January 29 review of “Versa-Style and Friends: Celebrating the Street Dance...




