Reviews
Ogemdi Ude passes the baton to the next generation in “MAJOR”
by Steven Vargas | Feb 10, 2026 | Reviews
Junyla Silmon lies on an elevated platform covered in turf, stretching her leg until she rolls...
Reviews
NACHMO LA 2026 at Stomping Ground L.A. – A Showcase of Works-in-Progress
by Jeff Slayton | Feb 9, 2026 | Reviews
National Choreography Month Los Angeles (NACHMO LA) originated in New York City and has spread to...
Reviews
Gamson’s “Clever Ideas For Smaller Rooms” at The Odyssey
by Jeff Slayton | Feb 5, 2026 | Reviews
It is always great when established artists create arenas for those who are just beginning to...
Articles
A Conversation with Kyreeana Breelin Alexander Whose “We Cool” Appears at The Nimoy
by Leah Bass-Baylis | Feb 10, 2026 | Articles
We Cool, the multidisciplinary autobiographical coming-of-age story created by and starring...
Articles
A Visa-Vise: The Suspense of Les Ballets Africains’ 12-City U.S. Tour
by Ann Haskins | Feb 9, 2026 | Articles
In a dubious start to Black History Month, the highly anticipated 12-city, ten state tour by Les...
Articles
Boogie Frantick: Local Legend is a Master of Popping
by Jessica Koslow | Feb 3, 2026 | Articles
If you did not read my January 29 review of “Versa-Style and Friends: Celebrating the Street Dance...




