An incubator of new dance goes viral, multi-lingual sign language dancers, an 18th anniversary celebration moves online, drive-in dance continues downtown, dancing the day after Halloween, plus encore streaming, where to submit dance videos, where to take online dance classes, and more SoCal dance this week.
When everyday has become Día de los Muertos
This year, the pandemic is far scarier than anything Halloween can conjure up. On several levels, Día de los Muertos (Day of the Dead) registers as the more appropriate occasion for these times. SoCal usually marks the day after with many events, but at least one is going forward online. With a nod to Covid-19, Forest Lawn shifts its annual Día de los Muertos events from the landmark cemetery to facebook for dance and music performances that include Ballet Folclorico Internacional, mariachi bands, the Bob Baker Marionette Theater, and a religious ceremony. Sun., Nov. 1, noon to 2 p.m., free. https://www.facebook.com/ForestLawn/
Coming of age
Join choreographer Jennifer Backhaus and the dancers as the contemporary company Backhausdance hosts a free, virtual celebration launching its 18th season. The performance portion has new solos plus conversations with the choreographer and dancers about their inventive plans for a virtual season. Fri., Oct. 30, 7 p.m., free with donations gratefully accepted. http://www.backhausdance.org/events/2020/10/30/finding-forward-season-18-kick-off-amp-fundraising-event.
Now in its 17th year, REDCAT’s New Original Works (NOW) Festival, resembles the drum-totting Energizer Bunny as it incubates inventive, experimental and sometimes ground-breaking work in dance, music, theater, and performance. The current edition is virtual and the second installment of this three-week fest showcases dance and movement in each of the offerings. Primera Generación Dance Collective (PGDC), comprised of Alfonso Cervera, Irvin Gonzalez, Patricia “Patty” Huerta, and Rosa Rodriguez-Frazier, offers Nepantla. Described as “a series of movement-based explorations and raisquache play”. “Raisquache” originally translated from Spanish as worthless or discarded, has evolved in meaning to reflect a sense of the underdog. In Little Red Book, or Plural Body, choreographer Xiaoyue Zhang and her collaborators promise an experiment exploring “cultural and political pressures and conflicts within the cultural space of Chinese identity and the physical body.” The third component presents randy reyes with musical help from Bapari in Real Talk # 1 (Pt. 2). In this solo, reyes explores “ritual, intimacy, pleasure, and the erotic.” Thurs.-Sat., Nov. 5-7, 8:30 p.m., $15, $12 students. https://www.redcat.org/festival/now2020.
Two to choose from…again
Live, drive-in performances suspended last month due to air quality from the wildfires resume as LA Dance Project presents Drive-In Dances. Additional performances of the two alternating shows have been added to make up for the cancellations. Solo at Dusk (thru Sun., Nov. 8) features dancers Bobbi Jene Smith and Or Schraiber. The two were paired in the film Bobbi Jene. That program alternates with The Betweens (thru Sun., Nov. 22) with Jermaine Spivey and Spenser Theberge. Spivey was guest faculty at the USC Kaufman School of Dance and known for his work with Crystal Pite where Theberge also was connected in addition to working with Spivey. LA Dance Project parking lot, 2245 E. Washington Blvd., downtown; $100-$150 per car (top price includes a one-year LADP digital membership). Required Covid-19 safety protocols, other info, dates, and tickets at http://ladanceproject.org/.
Led by Mona Jean Cedar and bringing sign language to dance, Pas D’Asl celebrates Halloween with a free online performance and class. Guest artists include Amnon and Jill Damti with Israeli sign language and from Canada, Juan Jatamillo. Fri., Oct. 30, 7 p.m., free. https://www.facebook.com/events/359735688771138
Dancer Ba’ac Garcia joins Indigenous R&V vocalist PJ Vegas in one of many, mainly musical segments in the Los Angeles Philharmonic’s Ford Digital Festival Tovaangar Today. The curator-led virtual programs offers multi-disciplinary performances, workshops and conversations combined into a multi-hour video production primarily focused on the Tongva and other California Tribal Nations. Sun., Nov. 1, 4 p.m., free. https://www.theford.com/concerts-and-events/ford-digital-festivals/tovaangar-today
The Ford’s past in the present
Among the subtle and not so subtle changes of new management by the LA Phil, what used to be the Ford Theater is now The Ford and while the theatre itself remains closed, four digital series were announced through the end of the year. A quartet of festivals includes mostly music, but one in November is focused on dance. The Saturday morning family classes include lots of dance and the past performances being streamed reflect how the beloved al fresco venue functioned as an informal summer dance festival. Those past performances reflect the energy and diversity in SoCal dance including contemporary from Lula Washington Dance Theatre, street dance from Versa-Style Dance, Brazilian from Viver Brasil, plus traditional and contemporary folkloric dance from Grandeza Mexicano Folk Ballet Company and Pacifico Dance Company. All free. Complete calendar and information at https://www.theford.com.
Alone with others watching
The site specific performance ensemble Heidi Duckler Dance just wrapped up ten days of The Quest, each day taking audiences to ten sites throughout metro LA metro for live performances to celebrate HDD’s 35th anniversary. Quest has concluded, but the company and Heidi Duckler’s choreography can still be seen online in two different site specific performances. Just in time for the pandemic sequestering, Duckler based The Chandelier on a work by Brazilian author Clarice Lispector about a woman experiencing isolation and trying to connect. Performers include Himerria Wortham, Rafael Quintas, Myles Lavallee, Nicole Flores, Maureen Asic, Magdalena Edwards, Jessica Emmanuel, Jaeme Velez, David Guerra, and Paula Rebelo. Free online at https://vimeo.com/414121038. For What Remains, a tale of life behind the iron curtain, Duckler took inspiration from the travails of Orpheus and Eurydice as well as from East German author Christa Wolf’s short story about being under surveillance by the Stasi police. Staged in the garden of a museum dedicated to the cold war, the work was presented in conjunction with the museum’s exhibit The Medea Insurrection: Radical Women Artists Behind the Iron Curtain. The online screening includes a discussion with the museum’s chief curator Joes Segal. http://wendemuseum.org/programs/what-remains-online-screening-and-discussion-heidi-duckler-dance.
They dance LA
In the absence of touring companies inside its theaters, the Music Center is giving a little love and attention to LA’s dance companies, showcasing filmed performances from six SoCal companies. Versa-Style Dance Company sent its street dancers to the beach, folkloric troupe Pacifico Dance Company‘s had nine dancers at different locations representing different areas of Mexico, the tap group Syncopated Ladies took an existing routine to a rooftop, five members of Malathi Iyengar’s Rangoli Dance Company premiered a work celebrating a South Asian goddess, Albertossy Espinoza’s LA Fusion Dance Theater offered a Flamenco fusion duet, and Pat Taylor’s Jazz Antiqua Dance & Music Ensemble sent its dancers in parks, alleys, an empty business street, and other sites spread around LA. for their solos. After their premiere on instagram (https://www.instagram.com/musiccenterla/?hl=en), all six films now are available for viewing at musiccenter.org/tmc-offstage/for-the-love-of-la/.
A show of force
In what may prove a timely, if unnerving coincidence, military veterans are featured in a powerful streamed film from Diavolo’s Veterans Project exploring what it means to be a true warrior on the front lines. In “This is Me – Letters from the Front Lines,” military vets and first responders explore what it means to shift to the front lines of a pandemic. Since artistic director Jacques Heim and Diavolo Architecture in Motion launched their Veterans Project in 2016, more than 500 SoCal veterans have participated in the company’s gymnastic approach to movement to restore physical, mental and emotional strengths. Along the way, the project developed stunning performance works, one of which was part of Diavolo’s day-long 25th anniversary celebration at the Soroya which hosted this event as part of the theater’s Fridays at 4 series. Info at https://www.thesoraya.org/.
Silver screen shifting
Continuing to roll out dance videos, artistic director/choreographer Genevieve Carson and LA Contemporary Dance Company recently unveiled Key of C although the video was originally shot in April just after the shelter-in-place order as the pandemic spread. This joins prior works, including two with Vitamin String Quartet after a planned collaboration for a live performance was put on hold by the pandemic shelter-in-place order. The thwarted live collaboration became two films. The Box managed to adhere to CDC guidelines while putting two dancers (Jamila Glass and Angel Tyson) and four musicians (Elizabeth Baba, Amanda Lo, Filip Pogády, Caleigh Drane) in the historic Heritage Square Museum. The second collaboration, Blinding Light, enlisted dancers Christian Beasley, Hyosun Choi, Jamila Glass, Nicole Hagen, Tess Hewlett, Malachi Middleton, JM Rodriguez, Ryan Ruiz, and Angel Tyson. These joined an earlier LACDC collaborationwith filmmaker Nathan Kim in a seven-minute film BLINK features dancer Hyosun Choi with Christian Beasley, Kate Coleman, Tess Hewlett, Ryan Ruiz, Drea Sobke, and Tiffany Sweat. The films and information on other LACDC virtual programming at https://www.lacontemporarydance.org/special-projects.
Feel like screaming?
Originally developed several years ago as a stage piece, in 2018 choreographer Sophia Stoller and the dancers of Iris Company reworked Screaming Shapes! into a film. After a year on the festival circuit including Dance Camera West, the company has released the work online. The performers include Bryanna Brock, Hyosun Choi, Cat Cogliandro, Casey Gonzalez, Kristen Holleyman, Amanda MacLeod, Joan H. Padeo, Shane Raiford, and Jamal Wade. https://www.sophiastoller.com/videos
The Moms have it
The same week that memorialized the late civil rights leader congressman John Lewis was the week Emmett Till would have been 79 years old had he not been lynched at age 14 because of his skin. In 2010, Kevin Spicer curated The Emmett Till Project at Highways Performance Space. Choreographer Pat Taylor’s contribution A Kindred Woe receives a timely encore. The work focuses on how mothers whose children have been murdered ‘take on the mantle’ in the fight against racism and justice. The JazzAntiqua Dance and Music Ensemble performers include Terrice Banks Tillmon, Keisha Clark-Booth, Rayne Duronslet, Kacy Keys and Shari Washington Rhone. https://vimeo.com/441671503.
Locking it up
Early on, the street dance troupe Versa-Style Dance Company seemed to take naturally to online streaming including a tribute to Don Campbellock, the creator of the Locking dance style,and its youth organization Versa-Style Next Generation unveil Finding Creativity and Fun in Our Personal Space. The troupe went to the beach for its contribution to the line up at the Music Center’s gallery of videos from SoCal dance companies. Always more than just about the dancing, the troupe mentors its younger members to add college and a career to their dance moves. In the absence of live gatherings, the website now hosts informative and useful videos on a range of life-skills subjects. This week the ensemble announced the launch of its YouTube channel https://www.youtube.com/user/VersastyleDanceLA/ adding to its social media presence. Videos and info at http://versastyledance.org/events/.
Adding to its trove of streaming options, Viver Brasil adds a weekly spotlight on past performances. The Afro-Brazilian dance and live music ensemble offer journeys to Salvador, Bahia to explore royal orixá dances, high-flying capoeira, and samba from a Bahian Carnaval. Current and past spotlight events now available at https://www.viverbrasil.com/covid19-update. Viver Brasil also was among the SoCal artists selected for KCET’s Southland Sessions, reworking its popular family show Celebrating Samba for the small screen with company members performing from their homes. But through the power of Afro-Brazilian dance and live music they promise a cultural journey to Salvador, Bahia to explore royal orixá dances, high-flying capoeira, and samba from a Bahian Carnaval. Streaming at https://www.kcet.org/shows/southland-sessions/from-brazil-to-the-world-celebrate-samba-with-viver-brasil.
Is it a question?
Filmed during the initial Covid–19 shutdown, Emily Mast and Yehuda Duenyas’ project HOW ARE WE, collected 15 solos, each 90-seconds including from LA choreographers. The possibilities of a plant, the bed sheets, or the corner of a room are among the starting points. Armed with a tennis racket, Jay Carlon contributed Anesthetized, admitting that he wanted a socially acceptable reason to scream or grunt like Serena Williams or John McEnroe without looking like nut. Other contributors include Shannon Hafez, Jessica Emmanuel, Stacy Dawson Stearns, Jenny Marytai Liu, Constance Hockaday & Faye Driscoll, Barnett Cohen, Hana Van Der Kolk, Darrian O’Reilly, David Arian Freeland Jr., Heyward Bracey, Mireya Lucio, Dorothy Dubrule, Terrence Luke Johnson, and Mast & Duenyas. Info at How Are We. Stream at https://vimeo.com/428583347.
More in the lunchbox
In June, Dohee Lee’s scheduled REDCAT performance was cancelled. The venue hopes one day to reschedule a live performance. In the meanwhile, the Korean artist whose skills span dance, drumming, singing and musical composition joins the line-up of prior dance performances from artists including Austyn Rich, Genna Moroni, Tzong-Han Wu, and Rosanna Gamson/World Wide. Info at https://www.redcat.org/. Instagram Channel at https://www.instagram.com/calartsredcat/channel
The Music Center Offstage continues to stream new and encore video clips and performances from Alvin Ailey American Dance Theater, Swing 2020, Cuba’s Malpaso Dance Company, Tanztheater Wuppertal Pina Bausch, Jung Im Lee Korean Dance Academy, Kayamanan Ng Lahi Philippine Folk Arts, Infinite Flow, and Spotlight classical and non-classical dance finalists Jacob Jovanni Alvarado, Ashley Lew, Maya Alvarez-Coyne and Bergundi Loyd. Recent additions include a celebration of New York’s Ballet Hispanico’s 50th anniversary. https://www.musiccenter.org/tmc-offstage/.
When one was not enough
Instead of its usual annual live performances from Black and Latinx choreographers at the Bootleg Theater, the BlakTinx Dance Festival returned with a viral format in late June. For those who missed that live stream of Dancing on the Edge, the show now continues on-line in four parts with works from Nancy Rivera Gomez, Shantel Ureña, Anthony Aceves, Bernard Brown, Joshua Estrada-Romero, Keilah Lomotey, Michelle Funderburk, Primera Generación, Vannia Ibargüen, Marina Magalhães, Regina Ferguson, Rubi Morales, Amber Morales, Alan Perez, Dorcas Román, Yarrow Perea, Andrea Ordaz, Eluza Santos, Briseyda Zárate, and Sadie Yarrington. With many of the works recently created, the pandemic and the streets were subjects and five pieces from earlier festivals that focused on Black Lives Matter were last minute additions. More info at https://www.blaktinafestival.com/. View all four programs at https://www.youtube.com/playlist?list=PLefQljDEC38ALLSpNkct5F4wdJWOpc5bG.
Knock twice & tell them Jacob sent you
Reminiscent of what one did to enter a speakeasy in the 1920s or a Cold War spy meet-up, a select, paying audience was given the address of a Santa Monica airport parking lot with strict instructions on arriving in their cars, remaining in the cars wearing face masks, and turning on their headlights when cued. In perhaps the first ‘drive in’ dance event, Jacob Jonas and his eponymous Jacob Jonas The Company performed Parked with those vehicles encircling the ‘stage,’ their headlights illuminating the socially spaced dancers performing to live music by Anibal Sandoval. The one-night only event was filmed by Ivan Cash and Daniel Addelson. With the five minute final cut covering interviews with the choreographer and dancers, the actual performance footage is brief, but if the cars flashing their headlights at bows was a kind of applause, the experiment garnered a vehicular standing ovation from the audience. Hopefully, the performance itself will have a separate streaming life. Info at http://jacobjonas.com/. Film at https://vimeo.com/431606341.
Last weekend, choreographer Melissa Barak and her Barak Ballet were part of a quintet of Santa Monica-based dance ensembles featured in a drive-in film performance. That one-night event passed, but an earlier short ballet film from the company, Breathe In, continues to stream. Filmed at the grounds at the Holocaust Museum in what formerly was known as Pan Pacific Park in the Fairfax district, the film features Peter Chursin with Andrew Brader, Lucia Connolly, Jessica Gadzinski, Chasen Greenwood, Stephanie Kim, and with choreography by Barak. Also, there’s an opportunity to sign up for the company’s new YouTube channel. Info and streaming at https://barakballet.org/.
Platforms to Submit Video Dance
With cautions about staying safe while filming, organizers Sarah Elgart and Cultural Weekly announced round 4 of Dare to Dance in Public with the theme of Pandemania, meaning a hyper energized state. Info on the judges, prior winners, plus rules and regulations for submission at www.dare2danceinpublicfilmfestival.com. The group’s other film endeavor Six Foot Dances is still accepting one-minute films. Current submissions on https://www.daretodanceinpublic.com/.
Where to Find Online Dance Classes
Pandemic depression? Get thee to a dance class!
On-line dance classes continue on zoom, instagram and other on-line platforms, many classes free, low cost or suggesting a donation. One central, constantly updated source on dance classes and in-depth reporting on SoCal dance, LA Dance Chronicle lists on-line dance classes including any cost and contact info. Grab a chair or clear off a corner of the room and use this time to dance. https://w3.ladancechronicle.com/
Featured image: Nickerson-Rossi Dance, courtesy of the artists.
Ann Haskins Blog appears at CulturalWeekly.com