German breakdance goes L.A., museum “meshing” with contemporary dance, a 60th birthday solo redeux, tango celebrating Piazzolla, opera with dance, traveling chamber ballet, plus online encores, where to take online dance classes, and more SoCal dance this week.
If this is Monday, where are we this week?
With support from three theaters, The Wallis and The Soraya in SoCal and The Harris in Chicago, Jacob Jonas The Company worked with more than 150 artists all over the globe to produce short dance films for the series, Films.Dance. Pandemic restrictions still preclude travel but for 15 weeks that started January 25, a new film takes viewers to a different world destination each Monday until May 3. The films screen for free. Week 10 heads to Montreal for Sit Still with seven-year-old Adeline Kerry Cruz displaying Krump moves choreographed by Russell “Gutta” Ferguson. The new addition joins Same Sky danced by Jacob Jonas The Company with choreography by German break-dancer Rauf “RubberLegz” Yasit, ANOTHER SERIOUS DANCE FILM with New York City Ballet’s Sara Mearns in NYC, Dadu set in the Dutch hamlet of Spaarnwoude, 正念 – NOW with BeijingDance/LDTX company dancer Li Kehua (Lico), Edging Normal with dancer Desmond Richardson in New York, Match bringing five choreographers and 46 dancers drawn from 20 countries in a scene-shifting world tour, Pássaro Distante from Brasil, Toke spotlighting Danish-born dancer Toke Broni Strandby in London locales, and Kaduna filmed in Nigeria. Mon., 9 a.m., free. New additions each Monday to May 3. Info on the full line-up of 15 films and free subscriptions at Films.Dance, The Wallis, The Soraya.
Meshing with a museum
Choreographer Jennifer Backhaus has displayed a special affinity for the Orange County Museum of Art (OCMA) as a performance venue. Backhaus and her contemporary troupe Backhausdance return to the museum with Mesh, the latest in the series Backhausdance With(in) OCMA. Inspired by the exhibition Alexandra Grant: Telepathy is One Step Further than Empathy, the filmed performance is a series of duets set in the museum galleries. Premiere Sun., March 28, 5:30 p.m. PDT, then online. Free with reservation. http://www.backhausdance.org/events
One more time
Originally choreographed for her 60th birthday event, Carol McDowell’s solo Be Cool, was recreated a year ago by McDowell and a team that included dancer/choreographer Alexx Shilling, Taso Papadakis on camera, and composer Julio Montero, but the scheduled screening was another victim of the pandemic shutdown, until now. The film is online this week as part of freeskewl‘s On The House along with works from Dorchel Haqq, Babatunji Johnson, Shannon Murphy/Dark Moon, Amy Gernux and Delaney McDonough. Fri., March 26, 4 p.m., $4.50. Info and tickets at http://www.freeskewl.com/on-the-house.html.
Not just talking
After a refreshing live performance, albeit in a parking lot, Benita Bike’s DanceArt latest offering is an online, interactive edition of its Let’s Talk Dance with a focus on performance, costume, identity and presentation. Thurs., March 25, 7 p.m. free with registration at DanceArt.
For now until then
Originally from Orange County, Skylar Campbell’s ballet career took him to the National Ballet of Canada. Last year, his nascent chamber company Skylar Campbell Dance Collective was booked for a June debut at The Barclay Theater. Drawing dancers on hiatus from New York City Ballet, Boston Ballet and National Ballet of Canada, when the pandemic shutdown live performance here, the debut instead was online from Canada . The Barclay still plans to present the ensemble when live performance resumes, but for now, the venue announced SCDC’s three-part dance film Traveler with original music by OC’s Josiah Johnson. Free. Part one with Campbell and Jackie Oakley: https://www.youtube.com/watch?v=vYGa1sQH1Hk, Part two with Ben Rudisin and Calley Skalnik: https://www.youtube.com/watch?v=G8Os5wUQvDw Part three with Hannah Fischer, Rudisin, Oakley, Skalnik, and Campbell: https://www.youtube.com/watch?v=0jP0ZC
Dancers going solo
This year’s LA Women’s Theatre Festival includes a dance component in many of its six night’s of solo performances. The Thursday opening includes award presentations and performances including Korean dancer Julie Kim in Abandon. On Friday, tapper Lynn Jassem joins the line-up with a segment from her one-woman show Tapping My Way to the Nuthouse. Saturday includes Cynthia Ling Lee’s dance theater piece Lost Chinatowns. On Sunday, Pamela Najera employs dance in Too Old, Too Asian, Too Short. Thurs., March 25, 7 p.m., $25, Fri.March 26-Tues., March 30, 7 p.m., $20 single ticket, $90 for festival pass. More info and tickets at LA Women’s Theatre Festival.
Not quite a dozen
Eleven champion tango couples get support from an orchestra populated by ten grammy-award winning tango musicians in Tango The Musical by Sergei Tumas. The show celebrates the centenary of tango icon Astor Piazzolla (1921–1992). Argentinian choreographers Iván Leonardo Romero and Silvana Nuñez supplied the moves. Center Theatre Group’s Digital Stage, Thurs., March 25, 5 p.m., Fri.-Sat., March 26–27, 5 & 8 p.m., Sun., March 28, 1& 5 p.m., PDT, $10 at CTG.
Song and dance
Dancer Lateef Williams joins mezzo-soprano Raehann Bryce-Davis in the premiere of Brown Sounds, a digital short by Jérémy Adonis. Filmed on location in a lush Belgian garden, the project is the opening collaborative effort from LA Opera, the African American Art Song Alliance, Aural Compass Projects, Black Opera Alliance, National Association of Negro Musicians and the Philadelphia Dance Company. Ongoing beginning Fri.., March 26, 11 a.m., free. Viewing details at LAOpera.org/BrownSounds.
Three to present one
Three theaters joined forces in early March to present a free performance by flamenco artist Israel Galván in Maestro de Barra. Reviewers have described Galvan as a master at capturing the fiery spirit and quicksilver footwork of this percussive art form without dancing into movement clichés. Moving outside traditional confines of flamenco, Galván has collaborated with jazz musician Pat Metheny and contemporary choreographer Akram Khan. Kudos to the three presenters, especially UCLA’s Center for the Art of Performance (CAP UCLA) which continues to offer the performance thru May 31. Info and free access at CAP UCLA.
Dancin’ around LA
In the absence of touring companies inside its theaters, the Music Center is giving a little love and attention to LA’s dance companies as part of the series For The Love Of L.A. filmed in different parts of the city. A recent addition offers Kyoko Takenaka’s martial arts-infused movement. She joins Brianna Mims performing in Leimert Park, Versa-Style Dance Company‘s street dancers at the beach, folkloric troupe Pacifico Dance Company at nine different locations representing different areas of Mexico, the tap group Syncopated Ladies on a downtown rooftop, Rangoli Dance Company celebrating a South Asian goddess, Albertossy Espinoza’s LA Fusion Dance Theater with Flamenco fusion duet, and Pat Taylor’s Jazz Antiqua Dance & Music Ensemble in parks, alleys, and an empty business street. Free online at Music Center.
Drawing its title and subject matter from Clint Smith’s poem How to Raise a Son, the poet gives voice to his words as the camera follows dancer Dennzyl Green. A current member of the Nannette Brodie Dance Theatre, Green performs and shares choreography credit with Brodie. The film is the latest contribution from NBDT and the South Coast Dance Alliance. Free online on Vimeo
Is there a sequel?
Originally staged in 2016 to sold out audiences, Invertigo Dance Theatre’s After It Happened receives a timely encore presentation. Set in the aftermath of a natural disaster, the work considers how a community rebuilds and scavenges for signs of hope and resilience. When originally presented, the work suggested a natural disaster, maybe an earthquake or flood. A pandemic that has snatched a half million Americans and millions more around the world was not in the thinking. With the current tragedy front and center, not over, but maybe headed toward containment, After It Happened offers a thoughtful consideration through dance that suggests ways to create and build a new normal. Free with reservation at The Ford or Invertigo Dance Theatre.
Taking to the air(waves)
The SoCal contemporary ballet and aerial company Luminario Ballet has posted links to recent performances and also announced it has a new dance film coming sooon. The films are free at https://luminarioballet.org/,
Over the past year, choreographer Melissa Barak and her contemporary Barak Ballet shifted online several fine filmed performances, a virtual gala, and its own instagram channel. Some of the films are free at https://barakballet.org/and https://www.instagram.com/barakballet/
A show of force
One of the most powerful filmed efforts from last year remains This is Me – Letters from the Front Lines from Diavolo Architecture in Motion and its Veterans Project. The film’s insights remain painfully true as military veterans who now are first responders confront what it means to be a warrior on the front lines of a pandemic as they gymnastically inhabit a world of pipes and moving structures while articulating the personal and professional realities of being on the front line of Covid-19. https://www.diavolo.org/thisismefilm
Locking it up
Early in the pandemic, the street dance troupe Versa-Style Dance Company displayed a natural affinity to online streaming of performances and classes. The most recent film, Ending The Year With Hope, continues online and the company has a video filmed at the beach as part of the Music Center’s For the Love of LA series. The company’s YouTube channel hosts performance videos and videos on a range of life-skills subjects geared to young adults, but with pointers for all ages. Info at https://versastyledance.org/. Videos at https://www.youtube.com/user/VersastyleDanceLA and https://versastyledance.org/media/
Performances by Santa Monica College’s two resident companies, Synapse Contemporary Dance Theater and Global Motion World Dance Company, stream for free at SMC.
The past comes present
While the theatre itself remains closed, the Ford continues several online series showcasing past dance and music performances. The array of local dance companies in the line up reflects how the beloved al fresco venue functioned as an informal summer dance festival showcasing the energy and diversity in SoCal dance. Look for contemporary from Lula Washington Dance Theatre, street dance from Versa-Style Dance, Brazilian from Viver Brasil, plus traditional and contemporary folkloric dance from Grandeza Mexicano Folk Ballet Company, Pacifico Dance Company, the LA Phil’s exploration of Tovaangar Today with dancer Ba’ac Garcia, and contemporary South Asian, Bollywood and Bhangra dance from Achinta S. McDaniel and her Blue13. All free. Complete calendar and information at The Ford.
An international dozen
A dozen dancers working remotely from three continents developed a series of short videos presented by Nancy Evans Dance Theatre under the banner The Channels. The company also added a new installment of Figures of Speech, new dance works inspired by literature. Free at Nancy Evans Dance Theatre
The pandemic caught Pasadena’s Lineage Dance Company in the midst of construction of its new Lineage Performing Arts Center as well as figuring out how to offer classes and performance in a pandemic. The construction is finished and the dance company has scored with several videos including its most recent staged in Pasadena’s iconic Gamble House. Videos free online at Lineage.
Unexpected curriculum addition
The dance department at Cal State University Long Beach is among those shifting online videos to new dance channels on You Tube while also streaming two performances with dancers observing strict Covid-19 protocols. Those performances and more are free at Free at https://www.youtube.com/user/CSULBDance
Alone with others watching
Not content to simply be online with filmed dance, the site specific performance ensemble Heidi Duckler Dance launched its 35th anniversary with live walk-up or drive performances at sites throughout L.A. An array of past and continuing projects can be found at https://heididuckler.org/reelsfilms/.
The Moms have it
Choreographer Pat Taylor’s work for her JazzAntiqua Dance and Music Ensemble ranges from pure celebration of the music to thoughtful considerations of the fight against racism and injustice. Videos stream for free at http://www.jazzantiqua.org/javideoclips.html and https://www.youtube.com/results?search_query=jazz+antiqua+dance+ensemble
Silver screen shifting
The year of the pandemic has brought several filmed dance ventures and a recent change of leadership for LA Contemporary Dance Company. The films plus info on the new artistic director, classes, and other activities at their website and https://vimeo.com/showcase/7051881
Feel like screaming?
Its award-winning film Screaming Shapes! is just one of several videos from choreographer Sophia and the dancers of Iris Company continuing for free online at. Iris Company.
With a new weekly online broadcast of a past performance, classes, workshops, and conversations, Viver Brasil was among the earliest LA dance companies to shift online and continues as one of the most active with videos, classes, workshops and more. https://www.viverbrasil.com/covid19-update The troupe also is part of KCET’s Southland Sessions streaming at Streaming at KCET.
Is it a question?
During the initial Covid–19 shutdown, 15 dancemakers created 90-second solos reflecting the range of reactions to the shelter-in-place order last spring. All 15 are collected in Emily Mast and Yehuda Duenyas’ project HOW ARE WE . Info at How Are We. Stream on Vimeo.
More in the lunchbox
Live streamed performances continue intermittently but REDCAT’s instagram channel offers a collection of prior dance performances including Genna Moroni, Tzong-Han Wu, and Rosanna Gamson/World Wide.Info at https://www.redcat.org/. Videos free at Instagram Channel.
The Music Center Offstage continues to stream new and encore video clips and performances. Visitors include Cuba’s Malpaso Dance Company and Tanztheater Wuppertal Pina Bausch, local troupes include Jung Im Lee Korean Dance Academy, Kayamanan Ng Lahi Philippine Folk Arts, and Infinite Flow. https://www.musiccenter.org/tmc-offstage/.
When one was not enough
Knock twice & tell them Jacob sent you
One of the first SoCal companies to offer a live performance in a parking lot, Jacob Jonas and his eponymous Jacob Jonas The Company performed Parked with vehicles encircling the “stage,” their headlights illuminating the socially spaced dancers performing to live music by Anibal Sandoval. A short film documenting the one-night only event continues to stream. Info at http://jacobjonas.com/. Film on Vimeo
Live music, virtual dance
Dance continues to be part of the Los Angeles Chamber Orchestra’s 20-21 online season, including dancer/choreographer Shauna Davis in the premiere of composer/musician Derrick Spiva Jr.’s two part work Mind The Rhythm. LACO’s music director Jaime Martin conducts. Link to free performance at https://www.laco.org/close-quarters/
Dance just can’t quit them
Part panel discussion, part video clips and photos, part cross pollination of ideas–the Musco Center’s Ever a Dancer surveys different dance worlds in a livestreamed format. This installment assembles a quartet of familiar faces who contribute Asian and South Asian viewpoints to the discussion including Tomas Tamayo, Hiroko Hojo, Dulce Capadocia, and Malathi Iyengar. Free with registration and more info at the Musco Center.
Platforms to Submit Video Dance
With cautions about staying safe while filming, organizers Sarah Elgart and Cultural Weekly announced round 4 of Dare to Dance in Public with the theme of Pandemania, meaning a hyper energized state. Info on the judges, prior winners, plus rules and regulations for submission at Dare to Dance in Public Film Festival. The group’s other film endeavor Six Foot Dances is still accepting one-minute films. Current submissions on Dare to Dance in Public.
Online Dance Classes
Pandemic exhaustion? Get thee to a dance class!
On-line dance classes continue on zoom, instagram and other on-line platforms, many classes free, low cost or suggesting a donation. One central, constantly updated source on dance classes and in-depth reporting on SoCal dance, LA Dance Chronicle lists on-line dance classes including any cost and contact info. Grab a chair or clear off a corner of the room and use this time to dance. LA Dance Chronicle
Featured Image: Films.Dance’s “Same Sky.” Photo courtesy of the artists.
Ann Haskins Blog appears at CulturalWeekly.com