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Reviews
“Fake It Until You Make It” at the Mark Taper Forum
by Brian Fretté | Feb 18, 2025
“Fake It Until You Make It”, now playing at the Mark Taper Forum, was written by...
This week in Dance
Dancers’ Choice
by Ann Haskins | Feb 18, 2025
Social media meet personal feelings in the Arts District; Korean visitors in University Park; a modern dance icon’s twisty 60th in Northridge; Bollywood in Cerritos; contemporary dance in West LA, El Sereno, Irvine, and two different ways in Lincoln Heights; more SoCal dance this week, plus a peek at next week.

Dancers’ Choice
Feb 18, 2025

“Fake It Until You Make It” at the Mark Taper Forum
Feb 18, 2025

Spenser Theberge’s “Intimates” at The Odyssey
Feb 14, 2025

Becoming Twyla Tharp
Feb 13, 2025




WIP LA 014 Artists Explore Intimacy
Feb 12, 2025

How Are We Feeling?
Feb 11, 2025



Trends and Innovations of Dance Camera West 2025
Feb 6, 2025

Boroka Nagy’s “Home” at Dance at the Odyssey
Feb 6, 2025


The Ever Changing Now
Feb 4, 2025




An Interview with LINES Ballet member Adji Cissoko
Jan 29, 2025

When Reality Demands Resilience
Jan 28, 2025


Uncorked by HD Theatre: at Stomping Ground L.A.
Jan 28, 2025



STOMP Delights and Enlightens
Jan 24, 2025



Reconfigured Connections
Jan 21, 2025

Disaster Relief Info & Resources
Jan 19, 2025

Dancing on Burn Scar
Jan 14, 2025




Inadvertent Lies
Jan 7, 2025


Interview With Dancer and Author Janine Kovac
Jan 2, 2025

Taking a Pause
Dec 30, 2024

Dancing Out One Year and Into the Next
Dec 24, 2024

What we do. Why it matters. And how you can help.
Dec 24, 2024


LADP’s search for ‘The Missing Mountain’
Dec 23, 2024






Wrapping Up the Season
Dec 16, 2024






Taking It with You
Dec 9, 2024




“The Nutcracker” ala Bob Baker’s Marionettes
Dec 6, 2024

Complicated Topography
Dec 3, 2024



Review: Ballet BC at The Soraya
Dec 2, 2024


And…..the Nuts Have It!!
Nov 27, 2024


Tryptophan Antidotes
Nov 27, 2024




PNB’S “All Balanchine” A Treasured Redo
Nov 23, 2024




Essential Force Multipliers
Nov 20, 2024

Engaging with the heavy: REDCAT NOW Week 2
Nov 20, 2024






Bracing for Your Second Wind (It Will Come)
Nov 12, 2024


Review: Week One of REDCAT’s NOW Festival 2024
Nov 9, 2024


What Becomes a Legend Most?
Nov 5, 2024





When What’s New Is New Again
Oct 30, 2024


Review: Dance Theatre of Harlem at The Musco Center
Oct 29, 2024

‘Matter Of Time’ at the Gamble House in Pasadena
Oct 28, 2024




Working Hiatus
Oct 23, 2024



The Raw and Poignant – “A Girl Grows Wings”
Oct 18, 2024

Review: L.A. Dance Project’s “Romeo and Juliet”
Oct 16, 2024

Gamble Gamboling
Oct 15, 2024


Jenn Freeman’s “Is It Thursday Yet?” at BroadStage
Oct 12, 2024

WIP Builds Creative Space for Dance Visionaries
Oct 12, 2024

“Blood/Love” at The Crimson in Hollywood
Oct 11, 2024




Italicized Moment
Oct 8, 2024




Complicated Topography
Oct 2, 2024








Messiaen Duet Dances into a Pas de Quatre
Sep 27, 2024



Reconnecting a Disconnected
Sep 24, 2024

Dorrance & Friends: A Miracle at The Ford
Sep 23, 2024


Review: “Women In Concrete” at Vista Hall
Sep 19, 2024




Review: “Duel Reality” at the Ahmanson Theatre
Sep 18, 2024

Vibrant LA Art Dances
Sep 17, 2024





Little Women Ballet Returns to Heritage Square
Sep 12, 2024



The Acquired Taste of Reality
Sep 10, 2024

Review: Psychopomp’s CHAOS Vol. II at Highways
Sep 7, 2024


Dancing With Greeks and Others
Sep 6, 2024




Summer Send Off
Sep 2, 2024

Tap Talk with Michelle Dorrance, Changemaker
Sep 2, 2024


Dances With She Wolves
Aug 27, 2024





When Forever Is Now
Aug 21, 2024





Review: The Motherboard Suite at the Ford Theatre
Aug 16, 2024

Review: Hollywood Bowl – Symphonic Tango & Flamenco
Aug 16, 2024

Dancing on Glass
Aug 13, 2024



It’s a Peter Pan musical for a new generation
Aug 9, 2024


Mixing It Up
Aug 6, 2024

“COMPANY,” Revived With a Twist
Aug 6, 2024


Los Angeles Jazz Company’s “The Time Is Now”
Aug 3, 2024

Peter Pan Attempting to Fly…Hits Diversion
Aug 1, 2024

Everything’s Coming Up Flamenco
Jul 31, 2024

Queer the Ballet’s “Dream of a Common Language”
Jul 29, 2024


Showing Initiative
Jul 23, 2024

Ballet Hispánico’s Fiery Tribute to Doña Perón
Jul 22, 2024


Choreographer’s Guild Update
Jul 18, 2024

Beneficent Movers
Jul 17, 2024





“NOStalgia POP” – A Transformational Journey
Jul 12, 2024

Dances With Mirrors
Jul 11, 2024


Festival Finales
Jul 10, 2024


Two Separate Works at Dance at the Odyssey: A Review
Jul 10, 2024

“Dear Life” : A Message to the Future
Jul 8, 2024

Collaborative Otherness
Jul 3, 2024






Clear-Eyed Nostalgia
Jun 26, 2024



Shimmery Summer Start Ups
Jun 19, 2024






Centered on the Fringe
Jun 10, 2024


Kybele: A Happening at Highways
Jun 8, 2024



In the Garden, the Park, and the Old Zoo!!
Jun 5, 2024

Jazz Dance Conference – Re-Planting Seeds
Jun 3, 2024


Dance “En Plein Air”
May 29, 2024





GUM is calling from the void
May 23, 2024

The Potential in a Fiery Feather
May 22, 2024

CRAWLSPACE Presents Spare Change : A Review
May 22, 2024





The Wild Things are brimming with chaotic promise
May 17, 2024

Los Angeles Ballet at the Pasadena Civic Auditorium
May 16, 2024

Bodies in Play at the Brand Library: A Review
May 16, 2024

Dancing Downtown History
May 15, 2024


Dancing Through Parkinson’s Wellness Weekend
May 9, 2024

A Tranche of Dance
May 8, 2024

“Beneath The Weight of Feathers” : A Review
May 7, 2024





BrockusRed in “Balance” at their studio showcase
May 4, 2024


Drumatix Rocks the Brand Library & Art Center
May 3, 2024


Now For Spring
May 1, 2024



Invertigo Dance Theater presents “Interior Design”
Apr 24, 2024


Festivals that Bloom in the Spring
Apr 23, 2024




The Tap Dancing Friend of “Funny Girl”
Apr 19, 2024

Legacy Tour
Apr 17, 2024

“Woolf Works” Renders an Epic Life
Apr 17, 2024

Fiery Fabulous Flamenco!
Apr 16, 2024



The Money Did It: LA Opera’s “La Traviata”
Apr 11, 2024


Sabotaging the Strictures
Apr 10, 2024




“Funny Girl” Blasts off at the Ahmanson
Apr 9, 2024





Review: PNB Program Titled “One Thousand Pieces”
Apr 4, 2024

Poignant and Powerful! MJ The Musical
Apr 4, 2024


Varying the Invariables
Apr 2, 2024



Review: Megill & Company at ARC Pasadena
Mar 30, 2024

Next Step for L.A. Ballet
Mar 29, 2024


Mixing It Up
Mar 26, 2024




Dance and Musical Theater Coming to The Music Center
Mar 20, 2024




Contemporary Considerations
Mar 17, 2024



Maillot’s Coppél-i.A.: An Exquisite Fantasy
Mar 13, 2024


Keeping Body and Soul Together
Mar 11, 2024


“The Stories We Tell” by Jazz Antiqua : A Review
Mar 9, 2024



BODYTRAFFIC/In Pursuit Of Love
Mar 7, 2024

International Influences
Mar 6, 2024


Meet the Choreographers Guild
Mar 6, 2024

American Contemporary Ballet presents ‘ACB Jazz’
Mar 6, 2024





Delusional Limerence
Feb 28, 2024


BrockusRED Presents Blue(s)
Feb 27, 2024



Whimsy Returns to Musco Center in “Alice” by Momix
Feb 26, 2024

Making sense of Quantitative Data as a dance artist
Feb 21, 2024

Thoughtful Provocations
Feb 20, 2024

Backhausdance at L.A. Dance Project Studio: A Review
Feb 20, 2024

Joaquin De Luz’ Danza de España Welcomed To L.A.
Feb 20, 2024



Zealous New Zealand Debut
Feb 14, 2024


African Rite of Spring, A Stunning Revelation
Feb 14, 2024

It’s Not Just Personal With Laurie Sefton Creates
Feb 13, 2024

Review: AU.THENTICITY DANCE CO. at the Odyssey
Feb 13, 2024



Goblin Party’s “Nomad” reimagines communal life
Feb 9, 2024


Tap Plus Unbridled Joy Equals Joseph C. Wiggan
Feb 7, 2024


Moving to the Four
Feb 6, 2024






Running to the Rite
Jan 31, 2024




Review: Diavolo’s “Existencia” at The Soraya
Jan 24, 2024


Shakespeare’s Star-Crossed Incarcerated
Jan 23, 2024


Review: Dance at the Odyssey Presents “Archetype”
Jan 23, 2024





Picking Up the Pace
Jan 17, 2024


Interview with Camille A. Brown and Debbie Allen
Jan 16, 2024

MJ The Musical – A Gift In Time
Jan 16, 2024

Seismic Sensations
Jan 15, 2024

Ever Heard of Dance Wrecking?
Jan 15, 2024


Seismic Steps
Jan 10, 2024


Tap Man/Piano Man
Jan 3, 2024


Review: Hollywood Ballet’s “Hollywood Holidays”
Jan 2, 2024

Dancing into 2024
Dec 28, 2023



Peak Season
Dec 20, 2023

![“Rite of Spring” & “common ground[s]” at The Music Center’s Dorothy Chandler Pavilion in February](https://www.ladancechronicle.com/wp-content/uploads/2023/12/the-rite-of-spring-credit-maarten-vanden-abeele-0014-c1-440x264.jpg)


A Swirl of the Season
Dec 13, 2023





Jaffe’s New View for ABT’s Future
Dec 7, 2023

Flight Delayed
Dec 6, 2023



Mais Oui!
Nov 29, 2023


Review: Pacific Northwest Ballet’s Triple Bill
Nov 24, 2023

The Hall Will Judder
Nov 23, 2023

The Nuts Are Back!
Nov 21, 2023



Seasonings
Nov 15, 2023



LA Dance Film Festival Celebrates Dance Film Talent
Nov 11, 2023

Dimitri Chamblas’ “takemehome” at REDCAT
Nov 10, 2023

Yes, Tiler Peck and Company, You Turned It Out!
Nov 10, 2023

A Match Made in Pasadena
Nov 8, 2023




Multiplicities
Nov 1, 2023

Spenser Theberge is trying to remember
Nov 1, 2023

Tiler Peck’s “Turn It Out” Transcends
Oct 31, 2023



Review: Dialogues + Sensations at ARC
Oct 31, 2023



With Friends Like That
Oct 26, 2023




Memetic Evolution
Oct 25, 2023



VOICES Showcased Vital and Exciting Talent
Oct 21, 2023




Karlin’s Formula for Turing’s “Fairy Tale”
Oct 19, 2023

Over the Moon
Oct 18, 2023

Keith Johnson Takes On the ’60s with “Drifter”
Oct 17, 2023

WE ARE. Demonstrates How Dance Can Unite
Oct 17, 2023




Fractioned Fairy Tales
Oct 11, 2023


PNB Nails Petite Mort
Oct 10, 2023






Bodies in Beverly Hills
Oct 4, 2023


Making Mozart Move
Oct 1, 2023


Peony Picnic is a multi-lingual safe haven
Sep 28, 2023


Yes, It’s a Big Deal Saturday
Sep 27, 2023

Walk the Walk carves pathways and understanding
Sep 27, 2023



Stepping Into a New Season
Sep 20, 2023



Gender View at Plummer Park’s Fiesta Hall: A Review
Sep 19, 2023



Meg Howrey; Writing Her Way Back To Dance
Sep 14, 2023

SpectorDance Announces 2023 Choreographer’s Showcase
Sep 14, 2023

En-Gendering
Sep 13, 2023

About LA Dance Chronicle and the 9.05 Project
Sep 7, 2023

Mimetic Evolution
Sep 5, 2023


Meredith Monk: Icon in an Iconic Setting
Sep 2, 2023


Summer’s Slow Slide
Aug 30, 2023

Review: Week Two of NOW Festival 2023 at REDCAT
Aug 29, 2023



Situational Inspiration
Aug 22, 2023

KOLO Dance Show: Not So Strictly Ballroom
Aug 21, 2023


More New Now
Aug 16, 2023


Honing the Cutting Edge
Aug 9, 2023

“Les Misèrables” Triumphant Return!
Aug 8, 2023

FUSE Dance Company at the Brea Curtis Theatre
Aug 5, 2023


Heat From Spain
Aug 2, 2023


FRAGGMONTS: Joey Navarrete-Medina Doing It His Way
Jul 31, 2023

Book Review: “Baller Ina” by Liz Casal
Jul 31, 2023





Nurturing the New
Jul 25, 2023





Don’t Have To Be One Thing
Jul 19, 2023



Alejandro Perez’s SIDE BY SIDE Spoke Volumes
Jul 18, 2023

Beetlejuice, Beetlejuice, …….!
Jul 18, 2023

Hollywood Tap Fest: A Tap Feast in The Making!
Jul 14, 2023

Gone Dutch
Jul 12, 2023



Queer voices show out at Stomping Ground
Jul 8, 2023

More Once Upon a Time
Jul 7, 2023


Going “Al Fresco”
Jul 5, 2023







Two Dance Companies Dazzled at the Nate Holden
Jun 29, 2023

LADP Summer Dances with Three Choreographic Masters
Jun 28, 2023


Unsinkable Resistance
Jun 27, 2023



Refugee to Refuge
Jun 24, 2023

AUDITIONS! Nancy Evans Dance Theatre – July 9, 2023
Jun 22, 2023




Going With the Flow
Jun 21, 2023

Oguri and Chavez coax dance out of time
Jun 21, 2023

PNB’S 50th Anniversary Season
Jun 21, 2023

Holocaust Skewed Towards Ethereal Memories
Jun 20, 2023





Elusive Endeavors
Jun 14, 2023

Pick a side: Volta’s SALT sways senses and loyalties
Jun 14, 2023

LINES’ “Deep River” Moves Without Restraint
Jun 13, 2023

Awe And Wonder Dances With Science
Jun 10, 2023




Going to the Pointe
Jun 7, 2023

2023-2024 Dance Season at The Soraya Theatre
Jun 7, 2023

Ballet BC Feeds All The Senses
Jun 6, 2023




Ballet BC: The Best Kind of Deja-Vu
Jun 1, 2023

MISFIT: A Dance Film by Micaela Taylor
Jun 1, 2023


Some Days It’s Just a Struggle
May 31, 2023





Danielle Agami is “Off, to a good start”
May 26, 2023



Long Beach Opera: A Feast In Every Way
May 25, 2023


There Will Be Jazz Hands
May 24, 2023

BORN IN A TRUNK – An Interview with Lyrica Woodruff
May 24, 2023


MOMIX: Alice’s “Trip” down the Rabbit Hole
May 22, 2023


Blue13 Dance Company: A Review
May 20, 2023


AAPI voices and talent abound at Stomping Ground LA
May 19, 2023

Going Deep – An Interview With Alonzo King
May 18, 2023


Rabbits and Cats and Caterpillars, Oh My!!
May 17, 2023




Review: Ballet BC – Precise dance and sound
May 15, 2023



Collaborated Confusion
May 10, 2023

Watch Three East Coast Performances Online
May 10, 2023

Love Through a New Lens
May 9, 2023


AAC
May 7, 2023

The Paul Taylor Company – The Fork In the Road
May 6, 2023

Beverly Hills Goes Bollywood
May 5, 2023

By Invitation Only
May 3, 2023




Jacob Jonas The Company: Warriors pushing limits
Apr 29, 2023

When They Dance in the Killing Fields
Apr 26, 2023

Canoodling Couples in Waltz Time
Apr 26, 2023

What She Is Up To
Apr 26, 2023



BELLA – A Stunning Film of L.A. Dance Pioneer
Apr 21, 2023



Demystification
Apr 19, 2023


1776 Declares Independence!
Apr 18, 2023



Turning a Page: Choreographer to Co-Director
Apr 15, 2023

“Let the Crows Come” – A Mixed Bag
Apr 15, 2023

A-Muse-Ment
Apr 12, 2023







PNB: BOUNDLESS sees its Freedoms and Pitfalls
Apr 7, 2023

As the Crows Fly
Apr 5, 2023

Daddy issues debunked: Andrew Pearson’s “Abbale”
Apr 5, 2023




Wheeldon’s Magic: Like Water for Chocolate
Apr 1, 2023



Seeing RED
Mar 29, 2023






Passion Postponed
Mar 22, 2023




It’s Not Just About the Chocolate
Mar 16, 2023

Bending Backwards
Mar 15, 2023





Now, Soon
Mar 9, 2023



Time Traveling With Sondheim
Mar 7, 2023



Can a Glass Ceiling Become a Mirror?
Mar 1, 2023




Her Moment in the Sun
Feb 25, 2023



Seasonal Movements
Feb 22, 2023




Brockus Gratefully…”Still Moving”
Feb 18, 2023


Beyond Fear of Flying
Feb 16, 2023


Looking for Love?
Feb 8, 2023







But What’s In Between
Feb 1, 2023

JA Collective untangles connections, new and old
Jan 31, 2023

BalletX’s Shine Emanates From Its Dancers
Jan 27, 2023

“You Live In My Spine” Brings Us Back to Basics
Jan 26, 2023

The Truth About Those Pre-Show Shenanigans
Jan 25, 2023

Weekend Two of Dance at the Odyssey – A Review
Jan 24, 2023


Telling a Story. Telling the Truth.
Jan 18, 2023


Icons Getting Their Due
Jan 11, 2023





Moving Through an In-Between Week
Jan 4, 2023



Waltzing Into the New Year
Dec 28, 2022


Eight California Born Artists Make ArtDesk 100 List
Dec 22, 2022

It’s Not Quite Over Yet
Dec 21, 2022




CHITA RIVERA – The Rhythm of Her Brilliant Life
Dec 15, 2022


Planned Eruptions in Elite Spaces
Dec 14, 2022

Seasonal Sightings
Dec 7, 2022



National Master Audition
Dec 5, 2022


Proprioception
Nov 30, 2022

Bill T. Jones: Wizard or Soothsayer
Nov 30, 2022

MENDING: A Bold Work of Art
Nov 29, 2022




“Reunited” Shares Their History and Gift of Dance
Nov 21, 2022



Nuts!!! And More Nuts!!!
Nov 18, 2022

Thoughtful Provocation
Nov 16, 2022






LACDC Delivers a Very Powerful Performance
Nov 10, 2022

Terpsichorean Confluence
Nov 9, 2022

BODYTRAFFIC Dazzles at The Segerstrom
Nov 9, 2022







Options for That Extra Hour
Nov 2, 2022





Unbeatable, BODYTRAFFIC is Back!
Oct 27, 2022

Seasons Greetings! (Boo!!)
Oct 26, 2022

Que Viva Mexico! Pacifico Dance Company: A Review
Oct 26, 2022


Job Openings In The Greater Los Angeles Area
Oct 20, 2022

Program A of D2D Film Festival Round 5: A Review
Oct 20, 2022

Bodies to Stop Traffic in Beverly Hills
Oct 19, 2022

“Malpaso Dance Company” at The Soraya: A Review
Oct 19, 2022


Cassils’s Human Measure at REDCAT: A Review
Oct 18, 2022



Two Dance Films by Khayla Jordan Golucke: A Review
Oct 14, 2022

Getting Backs Into Bacharach
Oct 12, 2022


Stowell Revives Carmina Burana…Nearly
Oct 11, 2022



Do You Dare!
Oct 10, 2022

Seeing It Through
Oct 5, 2022


Freaks With Lines at ARC Pasadena: A Review
Oct 5, 2022





Seasonal Start Ups
Sep 28, 2022


D2D In Public Film Festival: Round 5
Sep 28, 2022


Review: “OKLAHOMA!” at The Ahmanson
Sep 22, 2022


Four by Four
Sep 21, 2022


BIGUIDIRIBELA at LA Dance Project : A Review
Sep 21, 2022




“Being Future Being” at BroadStage: A Review
Sep 15, 2022

Back to Beginnings
Sep 14, 2022




Dissecting the Buzz
Sep 9, 2022

And So It Flows
Sep 7, 2022

NOW Festival Pushes Boundaries in Closing Week
Sep 5, 2022


Out and About
Sep 1, 2022


Week Two of REDCAT’s NOW Festival 2022 – A Review
Aug 27, 2022

Rituals of Comfort Go Back to Basics
Aug 24, 2022


“Fused” at The Alex: A Review
Aug 23, 2022


Toe Shoe Tango
Aug 17, 2022



Raiford Rogers’ “Seeds of Rain” : A Review
Aug 15, 2022



A Flurry of Festivals
Aug 10, 2022



What Is Happening at Los Angeles Ballet?
Aug 8, 2022


Soft Opening
Aug 3, 2022




Putting It Together
Jul 27, 2022

LA Phil’s Gift of Dance: The Paris Opera Ballet
Jul 26, 2022

Permission to Laugh in Acrobuffos’ AIR PLAY
Jul 26, 2022


