Category: LA Jobs
Reviews
Review: Kenneth Walker Dance Project – A Contemporary Ballet Company
by Brian Fretté | Sep 12, 2024
Studio 6 at Westside Ballet has seen its share of studio performances. However, now it is an...
This week in Dance
The Acquired Taste of Reality
by Ann Haskins | Sep 10, 2024
Bountiful ballet in Long Beach, Costa Mesa, and Irvine; an assembly of LA women choreographers in West Hollywood; seasonal instruments dance in Venice; Canadian cirque downtown; contemporary authenticities in El Sereno; border exploitation at USC; more SoCal dance this week, plus a peek at next week.
Little Women Ballet Returns to Heritage Square
Sep 12, 2024
The Acquired Taste of Reality
Sep 10, 2024
Review: Psychopomp’s CHAOS Vol. II at Highways
Sep 7, 2024
Dancing With Greeks and Others
Sep 6, 2024
Summer Send Off
Sep 2, 2024
Tap Talk with Michelle Dorrance, Changemaker
Sep 2, 2024
Dances With She Wolves
Aug 27, 2024
When Forever Is Now
Aug 21, 2024
Review: The Motherboard Suite at the Ford Theatre
Aug 16, 2024
Review: Hollywood Bowl – Symphonic Tango & Flamenco
Aug 16, 2024
Dancing on Glass
Aug 13, 2024
It’s a Peter Pan musical for a new generation
Aug 9, 2024
Mixing It Up
Aug 6, 2024
“COMPANY,” Revived With a Twist
Aug 6, 2024
Los Angeles Jazz Company’s “The Time Is Now”
Aug 3, 2024
Peter Pan Attempting to Fly…Hits Diversion
Aug 1, 2024
Everything’s Coming Up Flamenco
Jul 31, 2024
Queer the Ballet’s “Dream of a Common Language”
Jul 29, 2024
Showing Initiative
Jul 23, 2024
Ballet Hispánico’s Fiery Tribute to Doña Perón
Jul 22, 2024
Choreographer’s Guild Update
Jul 18, 2024
Beneficent Movers
Jul 17, 2024
“NOStalgia POP” – A Transformational Journey
Jul 12, 2024
Dances With Mirrors
Jul 11, 2024
Festival Finales
Jul 10, 2024
Two Separate Works at Dance at the Odyssey: A Review
Jul 10, 2024
“Dear Life” : A Message to the Future
Jul 8, 2024
Collaborative Otherness
Jul 3, 2024
Clear-Eyed Nostalgia
Jun 26, 2024
Shimmery Summer Start Ups
Jun 19, 2024
Centered on the Fringe
Jun 10, 2024
Kybele: A Happening at Highways
Jun 8, 2024
In the Garden, the Park, and the Old Zoo!!
Jun 5, 2024
Jazz Dance Conference – Re-Planting Seeds
Jun 3, 2024
Dance “En Plein Air”
May 29, 2024
GUM is calling from the void
May 23, 2024
The Potential in a Fiery Feather
May 22, 2024
CRAWLSPACE Presents Spare Change : A Review
May 22, 2024
The Wild Things are brimming with chaotic promise
May 17, 2024
Los Angeles Ballet at the Pasadena Civic Auditorium
May 16, 2024
Bodies in Play at the Brand Library: A Review
May 16, 2024
Dancing Downtown History
May 15, 2024
Dancing Through Parkinson’s Wellness Weekend
May 9, 2024
A Tranche of Dance
May 8, 2024
“Beneath The Weight of Feathers” : A Review
May 7, 2024
BrockusRed in “Balance” at their studio showcase
May 4, 2024
Drumatix Rocks the Brand Library & Art Center
May 3, 2024
Now For Spring
May 1, 2024
Invertigo Dance Theater presents “Interior Design”
Apr 24, 2024
Festivals that Bloom in the Spring
Apr 23, 2024
The Tap Dancing Friend of “Funny Girl”
Apr 19, 2024
Legacy Tour
Apr 17, 2024
“Woolf Works” Renders an Epic Life
Apr 17, 2024
Fiery Fabulous Flamenco!
Apr 16, 2024
The Money Did It: LA Opera’s “La Traviata”
Apr 11, 2024
Sabotaging the Strictures
Apr 10, 2024
“Funny Girl” Blasts off at the Ahmanson
Apr 9, 2024
Review: PNB Program Titled “One Thousand Pieces”
Apr 4, 2024
Poignant and Powerful! MJ The Musical
Apr 4, 2024
Varying the Invariables
Apr 2, 2024
Review: Megill & Company at ARC Pasadena
Mar 30, 2024
Next Step for L.A. Ballet
Mar 29, 2024
Mixing It Up
Mar 26, 2024
Dance and Musical Theater Coming to The Music Center
Mar 20, 2024
Contemporary Considerations
Mar 17, 2024
Maillot’s Coppél-i.A.: An Exquisite Fantasy
Mar 13, 2024
Keeping Body and Soul Together
Mar 11, 2024
“The Stories We Tell” by Jazz Antiqua : A Review
Mar 9, 2024
BODYTRAFFIC/In Pursuit Of Love
Mar 7, 2024
International Influences
Mar 6, 2024
Meet the Choreographers Guild
Mar 6, 2024
American Contemporary Ballet presents ‘ACB Jazz’
Mar 6, 2024
Delusional Limerence
Feb 28, 2024
BrockusRED Presents Blue(s)
Feb 27, 2024
Whimsy Returns to Musco Center in “Alice” by Momix
Feb 26, 2024
Making sense of Quantitative Data as a dance artist
Feb 21, 2024
Thoughtful Provocations
Feb 20, 2024
Backhausdance at L.A. Dance Project Studio: A Review
Feb 20, 2024
Joaquin De Luz’ Danza de España Welcomed To L.A.
Feb 20, 2024
Zealous New Zealand Debut
Feb 14, 2024
African Rite of Spring, A Stunning Revelation
Feb 14, 2024
It’s Not Just Personal With Laurie Sefton Creates
Feb 13, 2024
Review: AU.THENTICITY DANCE CO. at the Odyssey
Feb 13, 2024
Goblin Party’s “Nomad” reimagines communal life
Feb 9, 2024
Tap Plus Unbridled Joy Equals Joseph C. Wiggan
Feb 7, 2024
Moving to the Four
Feb 6, 2024
Running to the Rite
Jan 31, 2024
Review: Diavolo’s “Existencia” at The Soraya
Jan 24, 2024
Shakespeare’s Star-Crossed Incarcerated
Jan 23, 2024
Review: Dance at the Odyssey Presents “Archetype”
Jan 23, 2024
Picking Up the Pace
Jan 17, 2024
Interview with Camille A. Brown and Debbie Allen
Jan 16, 2024
MJ The Musical – A Gift In Time
Jan 16, 2024
Seismic Sensations
Jan 15, 2024
Ever Heard of Dance Wrecking?
Jan 15, 2024
Seismic Steps
Jan 10, 2024
Tap Man/Piano Man
Jan 3, 2024
Review: Hollywood Ballet’s “Hollywood Holidays”
Jan 2, 2024
Dancing into 2024
Dec 28, 2023
Peak Season
Dec 20, 2023
A Swirl of the Season
Dec 13, 2023
Jaffe’s New View for ABT’s Future
Dec 7, 2023
Flight Delayed
Dec 6, 2023
Mais Oui!
Nov 29, 2023
Review: Pacific Northwest Ballet’s Triple Bill
Nov 24, 2023
The Hall Will Judder
Nov 23, 2023
The Nuts Are Back!
Nov 21, 2023
Seasonings
Nov 15, 2023
LA Dance Film Festival Celebrates Dance Film Talent
Nov 11, 2023
Dimitri Chamblas’ “takemehome” at REDCAT
Nov 10, 2023
Yes, Tiler Peck and Company, You Turned It Out!
Nov 10, 2023
A Match Made in Pasadena
Nov 8, 2023
Multiplicities
Nov 1, 2023
Spenser Theberge is trying to remember
Nov 1, 2023
Tiler Peck’s “Turn It Out” Transcends
Oct 31, 2023
Review: Dialogues + Sensations at ARC
Oct 31, 2023
With Friends Like That
Oct 26, 2023
Memetic Evolution
Oct 25, 2023
VOICES Showcased Vital and Exciting Talent
Oct 21, 2023
Karlin’s Formula for Turing’s “Fairy Tale”
Oct 19, 2023
Over the Moon
Oct 18, 2023
Keith Johnson Takes On the ’60s with “Drifter”
Oct 17, 2023
WE ARE. Demonstrates How Dance Can Unite
Oct 17, 2023
Fractioned Fairy Tales
Oct 11, 2023
PNB Nails Petite Mort
Oct 10, 2023
Bodies in Beverly Hills
Oct 4, 2023
Making Mozart Move
Oct 1, 2023
Peony Picnic is a multi-lingual safe haven
Sep 28, 2023
Yes, It’s a Big Deal Saturday
Sep 27, 2023
Walk the Walk carves pathways and understanding
Sep 27, 2023
Stepping Into a New Season
Sep 20, 2023
Gender View at Plummer Park’s Fiesta Hall: A Review
Sep 19, 2023
Meg Howrey; Writing Her Way Back To Dance
Sep 14, 2023
SpectorDance Announces 2023 Choreographer’s Showcase
Sep 14, 2023
En-Gendering
Sep 13, 2023
About LA Dance Chronicle and the 9.05 Project
Sep 7, 2023
Mimetic Evolution
Sep 5, 2023
Meredith Monk: Icon in an Iconic Setting
Sep 2, 2023
Summer’s Slow Slide
Aug 30, 2023
Review: Week Two of NOW Festival 2023 at REDCAT
Aug 29, 2023
Situational Inspiration
Aug 22, 2023
KOLO Dance Show: Not So Strictly Ballroom
Aug 21, 2023
More New Now
Aug 16, 2023
Honing the Cutting Edge
Aug 9, 2023
“Les Misèrables” Triumphant Return!
Aug 8, 2023
FUSE Dance Company at the Brea Curtis Theatre
Aug 5, 2023
Heat From Spain
Aug 2, 2023
FRAGGMONTS: Joey Navarrete-Medina Doing It His Way
Jul 31, 2023
Book Review: “Baller Ina” by Liz Casal
Jul 31, 2023
Nurturing the New
Jul 25, 2023
Don’t Have To Be One Thing
Jul 19, 2023
Alejandro Perez’s SIDE BY SIDE Spoke Volumes
Jul 18, 2023
Beetlejuice, Beetlejuice, …….!
Jul 18, 2023
Hollywood Tap Fest: A Tap Feast in The Making!
Jul 14, 2023
Gone Dutch
Jul 12, 2023
Queer voices show out at Stomping Ground
Jul 8, 2023
More Once Upon a Time
Jul 7, 2023
Going “Al Fresco”
Jul 5, 2023
Two Dance Companies Dazzled at the Nate Holden
Jun 29, 2023
LADP Summer Dances with Three Choreographic Masters
Jun 28, 2023
Unsinkable Resistance
Jun 27, 2023
Refugee to Refuge
Jun 24, 2023
AUDITIONS! Nancy Evans Dance Theatre – July 9, 2023
Jun 22, 2023
Going With the Flow
Jun 21, 2023
Oguri and Chavez coax dance out of time
Jun 21, 2023
PNB’S 50th Anniversary Season
Jun 21, 2023
Holocaust Skewed Towards Ethereal Memories
Jun 20, 2023
Elusive Endeavors
Jun 14, 2023
Pick a side: Volta’s SALT sways senses and loyalties
Jun 14, 2023
LINES’ “Deep River” Moves Without Restraint
Jun 13, 2023
Awe And Wonder Dances With Science
Jun 10, 2023
Going to the Pointe
Jun 7, 2023
2023-2024 Dance Season at The Soraya Theatre
Jun 7, 2023
Ballet BC Feeds All The Senses
Jun 6, 2023
Ballet BC: The Best Kind of Deja-Vu
Jun 1, 2023
MISFIT: A Dance Film by Micaela Taylor
Jun 1, 2023
Some Days It’s Just a Struggle
May 31, 2023
Danielle Agami is “Off, to a good start”
May 26, 2023
Long Beach Opera: A Feast In Every Way
May 25, 2023
There Will Be Jazz Hands
May 24, 2023
BORN IN A TRUNK – An Interview with Lyrica Woodruff
May 24, 2023
MOMIX: Alice’s “Trip” down the Rabbit Hole
May 22, 2023
Blue13 Dance Company: A Review
May 20, 2023
AAPI voices and talent abound at Stomping Ground LA
May 19, 2023
Going Deep – An Interview With Alonzo King
May 18, 2023
Rabbits and Cats and Caterpillars, Oh My!!
May 17, 2023
Review: Ballet BC – Precise dance and sound
May 15, 2023
Collaborated Confusion
May 10, 2023
Watch Three East Coast Performances Online
May 10, 2023
Love Through a New Lens
May 9, 2023
AAC
May 7, 2023
The Paul Taylor Company – The Fork In the Road
May 6, 2023
Beverly Hills Goes Bollywood
May 5, 2023
By Invitation Only
May 3, 2023
Jacob Jonas The Company: Warriors pushing limits
Apr 29, 2023
When They Dance in the Killing Fields
Apr 26, 2023
Canoodling Couples in Waltz Time
Apr 26, 2023
What She Is Up To
Apr 26, 2023
BELLA – A Stunning Film of L.A. Dance Pioneer
Apr 21, 2023
Demystification
Apr 19, 2023
1776 Declares Independence!
Apr 18, 2023
Turning a Page: Choreographer to Co-Director
Apr 15, 2023
“Let the Crows Come” – A Mixed Bag
Apr 15, 2023
A-Muse-Ment
Apr 12, 2023
PNB: BOUNDLESS sees its Freedoms and Pitfalls
Apr 7, 2023
As the Crows Fly
Apr 5, 2023
Daddy issues debunked: Andrew Pearson’s “Abbale”
Apr 5, 2023
Wheeldon’s Magic: Like Water for Chocolate
Apr 1, 2023
Seeing RED
Mar 29, 2023
Passion Postponed
Mar 22, 2023
It’s Not Just About the Chocolate
Mar 16, 2023
Bending Backwards
Mar 15, 2023
Now, Soon
Mar 9, 2023
Time Traveling With Sondheim
Mar 7, 2023
Can a Glass Ceiling Become a Mirror?
Mar 1, 2023
Her Moment in the Sun
Feb 25, 2023
Seasonal Movements
Feb 22, 2023
Brockus Gratefully…”Still Moving”
Feb 18, 2023
Beyond Fear of Flying
Feb 16, 2023
Looking for Love?
Feb 8, 2023
But What’s In Between
Feb 1, 2023
JA Collective untangles connections, new and old
Jan 31, 2023
BalletX’s Shine Emanates From Its Dancers
Jan 27, 2023
“You Live In My Spine” Brings Us Back to Basics
Jan 26, 2023
The Truth About Those Pre-Show Shenanigans
Jan 25, 2023
Weekend Two of Dance at the Odyssey – A Review
Jan 24, 2023
Telling a Story. Telling the Truth.
Jan 18, 2023
Icons Getting Their Due
Jan 11, 2023
Moving Through an In-Between Week
Jan 4, 2023
Waltzing Into the New Year
Dec 28, 2022
Eight California Born Artists Make ArtDesk 100 List
Dec 22, 2022
It’s Not Quite Over Yet
Dec 21, 2022
CHITA RIVERA – The Rhythm of Her Brilliant Life
Dec 15, 2022
Planned Eruptions in Elite Spaces
Dec 14, 2022
Seasonal Sightings
Dec 7, 2022
National Master Audition
Dec 5, 2022
Proprioception
Nov 30, 2022
Bill T. Jones: Wizard or Soothsayer
Nov 30, 2022
MENDING: A Bold Work of Art
Nov 29, 2022
“Reunited” Shares Their History and Gift of Dance
Nov 21, 2022
Nuts!!! And More Nuts!!!
Nov 18, 2022
Thoughtful Provocation
Nov 16, 2022
LACDC Delivers a Very Powerful Performance
Nov 10, 2022
Terpsichorean Confluence
Nov 9, 2022
BODYTRAFFIC Dazzles at The Segerstrom
Nov 9, 2022
Options for That Extra Hour
Nov 2, 2022
Unbeatable, BODYTRAFFIC is Back!
Oct 27, 2022
Seasons Greetings! (Boo!!)
Oct 26, 2022
Que Viva Mexico! Pacifico Dance Company: A Review
Oct 26, 2022
Job Openings In The Greater Los Angeles Area
Oct 20, 2022
Program A of D2D Film Festival Round 5: A Review
Oct 20, 2022
Bodies to Stop Traffic in Beverly Hills
Oct 19, 2022
“Malpaso Dance Company” at The Soraya: A Review
Oct 19, 2022
Cassils’s Human Measure at REDCAT: A Review
Oct 18, 2022
Two Dance Films by Khayla Jordan Golucke: A Review
Oct 14, 2022
Getting Backs Into Bacharach
Oct 12, 2022
Stowell Revives Carmina Burana…Nearly
Oct 11, 2022
Do You Dare!
Oct 10, 2022
Seeing It Through
Oct 5, 2022
Freaks With Lines at ARC Pasadena: A Review
Oct 5, 2022
Seasonal Start Ups
Sep 28, 2022
D2D In Public Film Festival: Round 5
Sep 28, 2022
Review: “OKLAHOMA!” at The Ahmanson
Sep 22, 2022
Four by Four
Sep 21, 2022
BIGUIDIRIBELA at LA Dance Project : A Review
Sep 21, 2022
“Being Future Being” at BroadStage: A Review
Sep 15, 2022
Back to Beginnings
Sep 14, 2022
Dissecting the Buzz
Sep 9, 2022
And So It Flows
Sep 7, 2022
NOW Festival Pushes Boundaries in Closing Week
Sep 5, 2022
Out and About
Sep 1, 2022
Week Two of REDCAT’s NOW Festival 2022 – A Review
Aug 27, 2022
Rituals of Comfort Go Back to Basics
Aug 24, 2022
“Fused” at The Alex: A Review
Aug 23, 2022
Toe Shoe Tango
Aug 17, 2022
Raiford Rogers’ “Seeds of Rain” : A Review
Aug 15, 2022
A Flurry of Festivals
Aug 10, 2022
What Is Happening at Los Angeles Ballet?
Aug 8, 2022
Soft Opening
Aug 3, 2022
Putting It Together
Jul 27, 2022
LA Phil’s Gift of Dance: The Paris Opera Ballet
Jul 26, 2022
Permission to Laugh in Acrobuffos’ AIR PLAY
Jul 26, 2022
Never Doubt the Potential of a Balloon
Jul 20, 2022
Film Capital Welcomes PNB’s Plot Points Home
Jul 20, 2022
Sleight’s “Full Circle” Honors Jazz Dance Legacy
Jul 19, 2022
The Dude and the Dancers
Jul 18, 2022
Ballet Project OC: Good But Fails To Meet Potential
Jul 15, 2022
Barak Ballet Presents An Imaginative Repertoire
Jul 14, 2022
Terpsichorean Confluence
Jul 13, 2022
Alone Together
Jul 6, 2022
Putting It On the Table
Jun 29, 2022
Review: Psychopomp at Stomping Ground L.A.
Jun 29, 2022
Going With the Flow
Jun 22, 2022
Dance at BroadStage for 2022-2023
Jun 21, 2022
Landing in the New Normal
Jun 15, 2022
Finding a New Equilibrium
Jun 8, 2022
Soaring Into Summer
Jun 1, 2022
Token Appreciation
May 25, 2022
Benita Bike’s DanceArt Company: A Hidden Gem
May 25, 2022
Taking the Table to the Temple
May 18, 2022
Gatsby Enlivens Greystone Mansion
May 12, 2022
Restoring a Viola Solo
May 11, 2022
BlakTinx Festival 2022 – Lifting Their Voices
May 11, 2022
Remembering Stanley Holden
May 9, 2022
Film Review: Mother Melancholia by Samantha Shay
May 9, 2022
DANCIN – Pre-Broadway arrival at the Old Globe
May 7, 2022
Simply MOMentous
May 4, 2022
Review: “Hadestown” at the Ahmanson
May 2, 2022
Russian About a Telenovela
Apr 27, 2022
Review: Los Angeles Ballet Blooms Exquisite
Apr 27, 2022
CALL FOR SUBMISSIONS – PNB Dance Film Festival
Apr 23, 2022
Enter the Bloom
Apr 20, 2022
Battle’s 10th Year Celebrates The Spirit
Apr 18, 2022
That Mutually Fatal Attraction
Apr 13, 2022
PNB “PLOT POINTS” Moves from Genius to Romp
Apr 7, 2022
Welcoming a Stochastic Season
Apr 6, 2022
Taylor Donofrio’s I N T E R I O R at CalArts
Apr 4, 2022
Spring Is Sprung
Mar 30, 2022
In Praise of Peduncle Elongation
Mar 23, 2022
The Eternal St. Matthew Passion Lives In L.A.
Mar 22, 2022
Megill & Company to Premiere “Odd Birds” March 26-27
Mar 18, 2022
Making Like Sisyphus
Mar 16, 2022
Lemme’s Evocative “Forward Looking Back” Captivates
Mar 15, 2022
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