‘A System in Collapse Is a System Moving Forward’
My introduction to queerness was through the AIDS epidemic. In my Texas hometown, the unspoken...
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Category: Reviews
PNB Welcomes Maillot’s Stunning “Roméo et Juliette”
On April 11-20, 2025 (Digital streaming on April 24-28) the Pacific Northwest Ballet, performed...
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Lynn Modell’s “Interesting Women” – A satirical snapshot of everyday life
This was a perfectly lovely, whimsical and amusing evening of dance and story told by...
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The National Dance Company of Korea Presented “Seven Beats”
The Korean Cultural Center of Los Angeles (KCCLA) has a beautiful intimate theater (Ari Hall) on...
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The feeling of dance in A.I.M’s performance at The Wallis
Dancer William Okajima tips, crumbles and picks himself back up again. In quick spurts, he...
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Eiko Otake and Wen Hui’s “What Is War” – A Memory and an Omen
On film, Eiko Otake and Wen Hui sat discussing what is the war, what they remember as children or...
Read More![In search of genre in Will Rawls’ ‘[siccer]’](https://www.ladancechronicle.com/wp-content/uploads/2025/04/siccer-694-c1-627x376.jpg)
In search of genre in Will Rawls’ ‘[siccer]’
GENRE! Genre? Genre… The five performers of Will Rawls’ “[siccer]” at REDCAT foraged through the...
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Blue13 Dance Company at the Sierra Madre Playhouse
The program reads “Blue13 – American Dance” and it couldn’t be more apt in its description....
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Review: Double Bind at Highways Performance Space
This past weekend’s split bill of Double Bind at Highways Performance Space gave choreographers...
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Review: Benita Bike’s DanceArt at Lineage Performing Arts Center
Benita Bike’s DanceArt Company in Concert was held at Lineage Performing Arts Center on April 6th,...
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